The American Spectator
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A few days ago, I went to see Defiance, a fine movie about Jewish resistance fighters in the forests of Eastern Europe under Nazi occupation during World War II. To put it mildly, the movie was mind-bogglingly depressing and upsetting. The suffering, misery, and terror of these people, my blood, was almost beyond belief.But the movie served a purpose. As I left the theater, I knelt on the pavement of the parking lot to thank God for letting me be in 2009 America instead of 1941 Byelorussia.
Yes, I know we are having a serious recession. I am still grateful to the point of dizziness to be in America. Yes, I know I have been through a harrowing year with the stock market in 2008. It is nothing, not even a pimple, compared with what those people suffered. Not even to be mentioned.
The day to day glory of living in a free society under law, the truth that in this country the law protects my life instead of taking my life -- these are dazzling despite the daily cascade of grim economic tidings.
When I got home after watching Defiance, I bowed my head and thanked God for every man and woman in the United States, British, and Russian and Australian and Canadian and New Zealand armed forces who fought the Nazis. For their families and their communities.
Nothing, nothing, nothing on this planet compares with living in a free country.
Yes, it's great that we have our first African-American President. Yes, the media treats him like a movie star. But the real stars fought the SS in the Huertgen Forest, the Japanese at Midway, and are now fighting the terrorists in places that are not even on maps. They will never get serenaded on national TV and no one will care where their kids went to school and there won't be any commemorative dinner plates about them sold on TV. But they are the real stars, not the politicians.
Good luck to President Obama. I hope we get the economy straightened out soon and decent people get back to work. But however long it takes, I am going to be very, very grateful for a good long while. My ancestors made many wrong decisions, but they made one perfect one: to come to America. We are so lucky to be here it's insane.
Film fudges several facts
By Cathy Schultz
The Joliet Herald News
January 22, 2009
http://www.suburbanchicagonews.com/heraldnews/index.html
Jamie Bell (left) portrays Assael Bielski and Daniel Craig portrays Tuvia Bielski in a scene from the film "Defiance."ap photo
The theme of Defiance, the new World War II-era film starring Daniel Craig and Liev Schreiber, is crystallized in an exchange early in the film, when a Russian scoffs, "Jews do not fight." The response: "These Jews do."
Defiance is not your typical Holocaust film. While there are fleeting scenes of Nazi atrocities, the story focuses squarely on those Jews who escaped the German dragnet and fought back. It is based on the true story of the Bielski brothers, who led hundreds of Jews into hiding in the forests of Nazi-occupied Belarus and managed to keep them alive there for years.
But, like most historical films, Defiance, while sticking to the broad historical outline, tends to fudge some of the details. Here's a guide to separate the fact from the fiction.
Q. Tuvia and Zus Bielski are heroic figures in the film, though they don't always get along. Is this accurate?
A. Yes, mostly. Both Tuvia (Craig) and Zus (Schreiber) were imposing men, who even before the war had reputations for meeting any slight with an aggressive response. They commanded respect from the Jews who followed them, as well as the Soviet partisans who often fought alongside them. And it is largely true that Tuvia focused more on saving Jewish lives, while Zus yearned to exact revenge on the Nazis.
But the film takes some liberty with their relationship. The sibling rivalry is exaggerated, and most accounts say that both Zus and Asael (played by Jamie Bell) unquestioningly deferred to their older brother, Tuvia, remembered as the most impressive leader of the three. And though the film suggests Asael was much younger than the other two, he was actually only two years younger than Tuvia, while Zus was four years younger.
Q. Why didn't more Jews escape like the Bielskis did?
A. The Bielski brothers grew up in an isolated rural area in Belarus, near huge forests where they spent many days of their childhood. They were uniquely suited not only to surviving in the forest for years but, more significantly, sheltering hundreds of others there as well.
But most European Jews had nowhere similar to hide, and as the Nazi noose tightened around them in the early years of the war, heartbreakingly few were able to find escape to such a deserted place, or to find friendly Christians willing to risk their lives to aid them.
Q. In the film, Tuvia kills a policeman responsible for his parents' arrest, but is emotionally conflicted about it. True?
A. The killing is true. The emotional distress? Not so much. Tuvia and his brothers were fearsome fighters and targeted a number of Nazi collaborators, often executing their entire families. The Bielskis wanted to send a message loud and clear: targeting Jews would bring gruesome reprisals.
Q. Did the Bielskis really sneak into the heavily guarded Jewish ghettos to rescue people?
A. They did. In Eastern Europe, the Nazis didn't immediately send Jews to concentration camps. Instead, they created walled-off ghettos in each city, where Jews were forced to work as slave laborers and kept in terror by frequent executions. Until the ghettos were liquidated, the Bielskis organized numerous forays inside to rescue people and guide them to their camp in the forest. It was a particularly daring act since the Bielski brothers each had a heavy price on his head.
Q. The Soviet partisan fighters are unfriendly and unhelpful to the Jews in the film. Was that true?
A. Yes and no. The Bielski group actually worked fairly closely with the Soviet partisans, though the film implies otherwise. While initially met with some suspicion by the Soviet guerrilla fighters (who displayed a fair bit of anti-Semitism themselves), Tuvia was masterful in dealing with Soviet partisan leaders, downplaying his group's all-Jewish identity and exaggerating their pro-Communist sentiments. He also proved his group's worth with frequent acts of sabotage against the Nazis.
Q. Did Zus leave his brothers to join the partisans?
A. It makes for good dramatic tension, but it didn't happen. The Bielski brothers stayed together until the last few months of Nazi occupation, at which time Moscow took direct control of the partisan fighters and ordered Zus and Asael into separate partisan units.
Q. So how did the group get all the food they needed?
A. The film's a bit vague on this, but it primarily came from farms and homes bordering the forest. Sometimes it was given freely by friendly neighbors. At other times, the Bielskis traded valuables for food and weapons. But the typical Bielski method (shared by all the Soviet partisan fighters) was to simply demand food from peasants at gunpoint.
Q. The film shows some pretty dramatic battles between the Bielski group and Nazi soldiers. Did those occur?
A. Those scenes are emotionally satisfying, but somewhat exaggerated. The Bielskis had guns, of course, and used them. But dramatic shoot-outs between the Nazis and the Jewish partisans were rare.
The real heroism of the Bielskis lies not primarily in their willingness to wreak revenge on the Nazis (other Jewish and Russian partisan groups did that as well). The Bielskis stand out more for their unique work in rescuing and protecting other Jews -- including those too old or weak to fight -- from an almost certain death. "It is better to save one Jew than to kill 10 Nazis," says Daniel Craig's Tuvia, echoing the real-life Tuvia.
This attitude resulted in the rescue and survival of more than 1,000 Jews under their watch. Today the descendants of those survivors number in the tens of thousands. The Bielskis' heroism is a significant story, and worthy of an exciting film. And if a little creative license was used to tell the tale, well, this historian, for one, doesn't mind.
Cathy Schultz is a history professor at the University of St. Francis and writes a syndicated column on historical films. You can reach her at cschultz@stfrancis.edu.
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