Thursday, May 15, 2014

Interview: 'Longmire' author Craig Johnson


Randy Cordova, The Arizona Republic 
http://www.azcentral.com/
May 12, 2014





At age 53, Craig Johnson (pictured above) has the kind of career that most writers would envy. He is the author of the successful mystery series that features Walt Longmire, a plain-spoken sheriff in Wyoming's fictional Absaroka County. The books inspired the A&E series "Longmire," the network's highest-rated scripted series.
The success hasn't changed Johnson. He still lives in Ucross, Wyo. (population: 25), and has no plans to go Hollywood: "Are you insane? This is my ranch. I poured the concrete. I built the barn."
It's a busy period for Johnson. "Longmire," for which Johnson gets an executive consultant credit, returns for its third season Monday, June 2. And he's on the road promoting "Any Other Name," the 11th Longmire book, which finds the sheriff facing the birth of his first grandchild and a suicide in a neighboring county.
Question: How did you know you were a writer?
Answer: My father says I come from a long line of bulls--t, but I'm just the first one smart enough to write it down. I've always been entranced by the idea of people that can tell a story. It's a valuable trait.
Q: Did your background prepare you for this career?
A: I did a little bit of everything. I had one of those Jack Kerouac lifestyles. I traveled around a lot and did a lot of different things. I was either preparing myself to be a writer or preparing myself to be homeless. Thank goodness the writing thing turned out.
Q: How did you come up with the idea of Walt Longmire?
A: As soon as I started developing the idea of Walt, I knew he was not going to be the usual crime-fiction protagonist: Six-foot-two-inches of twisted steel and sex appeal. Walt's a little bit more old-school. He's overage, overweight, overly depressed, yet he still gets up in the morning and tries to do the job. I think that's kind of heroic. And I write them in the first person, because I want it to be as if you went into the Busy Bee Cafe in Durant, Wyo., and the sheriff came over and told you what happened in the last month.
Q: Is Walt based on you?
A: My wife has the best answer. She says this is who Craig would like to be in 10 years, but he's off to an incredibly slow start. He's a better guy than I am. He's a truly decent, kind, caring human being and he really goes out of his way in some very dire circumstances to try and be a good guy. Walt's kind of old-school that way. He's a Gene Autry or Roy Rogers kind of character, and those characters have been missing from the public psyche for so long. It's almost avant-garde now.
Q: But he's a lot more shaded than those guys.
A: He is, but he has to be. He has to be more fully drawn, simply because the world he works in is more complex.
Q:Your first book wasn't published until you were in your 40s, which some people see as a late start. Why didn't you start sooner?
A: There are two honest answers to that question. First, you run out of excuses. I remember finishing my ranch and getting things up and running. When that was done, I knew I always wanted to be a writer so now would be the time. The other thing is you stumble upon a story that you think is good enough to invest the time and energy.
Q: Were you surprised by the success?
A: Oh gosh, yes. I was just hoping for enough response that I would be able to continue being a writer. I got a really great agent, a great publisher and I started getting on the New York Times bestseller list and then I hear, 'Hey, we'd like to do a TV show based on the character.' It's pretty good for a cowboy who lives in a town of 25 people.
Q: How does a TV show change your life?
A: There's a story I like. I was going to jump on a plane in Red Lodge, Mont., and I stopped at a diner wearing a Absaroka County sheriff's ballcap from the TV show. This woman looked at the ballcap and says, "Where did you get that?" I thought, "Oh, she thinks I'm a real sheriff." I didn't want to have to chase (a criminal) down the streets of Red Lodge, so I decided I'd point out it's not a real county. I tell her that, and she goes, "The hell it's not. That's Walt Longmire's county." I felt a little proud, so I tell her that I'm Craig Johnson, the guy who writes the books. She goes, "There are books?"
I've always thought I should tell (my publisher) Viking the slogan should be: "Yes, there are books."
Craig Johnson book signing: 7 p.m. Thursday, May 15. The Poisoned Pen Bookstore, 4014 N. Goldwater Blvd., Scottsdale. Free. 480-947-2974, poisonedpen.com.
'Longmire': Season premieres 11 p.m. Monday, June 2, on A&E.

Reach the reporter at randy.cordova@arizonarepublic.com or 602-444-8849. Twitter.com/randy_cordova.

Book Review: 'Any Other Name' by Craig Johnson

Craig Johnson's "Any Other Name" returns to what he does best


By Reed Eckhardt
Wyoming Tribune Eagle
May 12, 2014


Ask any baseball fan and he or she will tell you: Some teams are just built to play "small ball." They don't have the hitters to go long on a regular basis against teams like the New York Yankees. So they use strategies like ball placement, base running and defense to beat their opponents.

So it is with Upton, Wyoming-based author Craig Johnson.

In his last book, "A Serpent's Tooth," Johnson chose to go out of character. He went big, ending his book with a massive shootout. It didn't work. It simply is not what he does best.

Well, rejoice, Johnson fans. The writer has returned to his game -- focusing on his usual cast of characters, storytelling and a small-town setting -- and he has hit a home run with his new book, "Any Other Name," (Penguin Group, $26.95, 319 pages).

Indeed, this may be Johnson's best Longmire mystery yet in terms of its ability to grab and keep the reader locked in. "Hell Is Empty" (2011) certainly is his most superior work in terms of its literary merit. But "Any Other Name" is a roller-coaster ride of a thriller. You probably shouldn't start reading the last third of the book before bedtime: You will be up at 3 a.m. It is that compelling.

"Any Other Name" has Johnson's small-town sheriff, Walt Longmire, chasing after a mystery, this time in northeastern Wyoming rather than his usual Absaroka County: Why did a longtime detective, Gerald Holman, kill himself? Or did he?

Walt's old boss, Lucian Connelly, wants the question answered, for reasons other than just a longtime professional relationship. But at the opening, it's enough for Walt to know that Holman had come out of retirement to work cold cases for the Campbell County Sheriff's Department. He then is found dead in a motel room east of Gillette with not one, but two bullet holes in his head.

Oh, and Walt is facing a deadline: His daughter, Cady, finally is about to give birth to Walt's first grandchild and she wants him by her side in Philadelphia, damn it.

The story rolls forward as Walt discovers what he thinks Holman also knew: Three of the cold cases -- all missing women -- appear to be tied together. Just what that really is all about will be up to the reader to find out.

As with all of Johnson's books, "Any Other Name" is not really about the mystery but the people who inhabit the work. This is where the author truly excels: He creates finely drawn characters who you could bump into in any small town in Wyoming.

All the familiar names -- the ones that make the Longmire series so compelling -- are here. It is particularly comforting that Victoria Moretti, Walt's spitfire deputy and love interest, is still around and romancing the sheriff. Where that was headed was unclear at the end of "Serpent's Tooth." Moretti had been hit by a knife thrown by bad guy Tomas Bidarte, and she sustained a loss that left fans wondering where the relationship with Walt was headed. Bidarte, by the way, has not left their lives, despite taking several bullets from Walt's gun.

Along the way, the reader of "Any Other Name" gets to enjoy some new faces as well. There is a tough cop from New Mexico, Richard Harvey; post office manager Dave Rowan; rookie patrolman Travis Bradley; the owner at the local strip club, Tommi Sandburg; and Holman's daughter, Connie, a former meth addict who became a teacher, who plays a pivotal role in the tale.

Walt also finds himself out in the snow again; this has become an important theme in Johnson's series. This time, Walt is with friend Henry Standing Bear amidst a herd of buffalo in the Black Hills. This leads to another turn on Longmire's continuing spiritual journey. It's not every protagonist in mystery fiction who sees white bison and spends time talking with spirits.

But the centerpiece of this book is not Walt's solving of the mystery. Fans know he is going to do that with his usual wit and skill -- and with Johnson's usual plot twist.

No, the grabber here is the thrill ride that consumes the story's final act: It is as good a bit of adventure fiction as you will find. Without giving too much away, it concerns Walt's heroic effort to save a woman's life. It involves a train car, a deadly load of coal, an historic revolver and a clock -- a race against time. If it doesn't leave you breathless, stop by and I'll buy you a cup of coffee.

All in all, it is a pleasure to see Johnson returning to what he does best. He doesn't need to swing for the fences to get the job done. Rather, by keeping it small, he has created a dynamic series and, in this case, a winner of a book.

If you go 

Craig Johnson's latest in his Longmire mystery series, "Any Other Name," will hit the bookstores on Tuesday. For now, no Cheyenne stops are planned in the Wyoming author's coming book tour, but he will be in the Front Range next month:

June 1, 3 p.m. Tattered Cover Book Store, 2526 E. Colfax Ave., Denver

June 2, 6:30 p.m. - Old Town Library at the Library Park Stage, 201 Peterson St., Fort Collins, Colorado. Bring a picnic and a blanket.
Published on: Monday, May 12, 2014 - 12:45:05 pm MDT

Science as McCarthyism

Another scientist gets blackballed for his skepticism about global warming. 

Bob Dylan Must Get Stoned

By Stephen H. Webb
May 6, 2014
“Bob Dylan, Live: By Paolo Brillo”
Journalists have always been puzzled by Bob Dylan, but the confusion is of their own making. The pattern of treating him as a trickster whose words cannot be taken at face value was established in the sixties, when the rock intelligentsia wanted Dylan to be a political as well as musical revolutionary. He was neither, of course. His radicalness came from a deeply conservative understanding of musical history: He was reading Civil War era newspapers while everyone else was reading Norman O. Brown and listening to Gospel and Blues when music was becoming “pop” in the fifties. But the story of the sixties wasn’t complete without Dylan as its hero. His so-called followers couldn’t take no as an answer: His denials became obfuscations.
Of course, Dylan can be verbally perverse in interviews, but who can blame him when those who should know better seem clueless to what he is saying? Occasionally in these charades of misunderstanding, Dylan gets so frustrated that he spells everything out, revealing probably more than he intended. Such was the case in a Rolling Stone 2012 interview with Mikal Gilmore.
The interview begins to go wrong for Gilmore (and right for the rest of us) when he asks about “Rainy Day Women.” Dylan says that those who view it as a drug song “aren’t familiar with the Book of Acts.” This comment goes so far over Gilmore’s head that he can’t even respond to it.
Which shows he has no business interviewing Dylan, who has always been immersed in the Bible, its language and its theology. “Rainy Day Women” is more about persecution than intoxication. It sounds like a Salvation Army band playing a funeral march, but its words are deadly serious. When Dylan says that “they’ll stone ya when you’re trying to be so good” and that “they’ll stone ya when you’re tryin’ to go home,” he is speaking straight from the Bible. His comment about the Book of Acts makes the reference more explicit: it’s not just any good man being stoned, but Stephen.
Stoning, of course, was an ancient form of execution, and executions often take on a festive atmosphere. The carnival sound is thus quite appropriate to a song that reenacts an act of scapegoating. Hardly any Dylan fan hears the ritualistic and religious aspects of the song, but that says more about his fans than Dylan himself.
Read the rest of the article:
Stephen H. Webb is a columnist for First Things. He is the author most recently of Mormon Christianity. His book on Bob Dylan is Dylan Redeemed.
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Wednesday, May 14, 2014

Memo to atheists: God’s not dead yet


A new book exposes a major fallacy in atheist thinking

http://theweek.com/
January 10, 2014



For most of human history, theism was treated as a given. To be sure, there were differences of opinion on the issue. Are there many gods or one? Does he communicate through law? Or prophets? If so, which ones? Might he have become incarnate at some time in human history? These questions and countless others have been answered in many different ways by the world’s great religious traditions. But the underlying presumption in favor of some form of theism remained a constant.
This is no longer the case. Where atheists of old worked to conceal their skepticism for fear of punishment or social ostracism, today they collect hefty book advances and enjoy widespread public adoration. And no wonder: A recent poll shows that one in five Americans has no religious preference, more than double the number reported in 1990 — and the highest rate since the number began to be tracked in the 1930s. According to another survey, nearly a third of Americans under the age of 30 describe themselves as atheist, agnostic, or "spiritual but not religious," making the millennial generation the most religiously unaffiliated of any on record.
For those who have led the charge against the forces of faith — Dawkins, Dennett, Harris, Hitchens, Grayling, and numerous other wannabes — this change is a welcome sign that the American people have at long last begun to dispel their atavistic ignorance and reconcile themselves to the scientific account of the universe, which is utterly incompatible with any form of theism.
One of the many virtues of theologian David Bentley Hart’s stunning new book, The Experience of God: Being, Consciousness, Bliss, is that it demolishes this facile, self-satisfied position, exposing how completely it relies on a straw man account of God for its cogency. Atheism may well be true; a society of secularists might get along just fine without any form of piety. But until those unbelievers confront the strongest cases for God, they will have failed truly and honestly to rout their infamous enemy.
Without meaning to downplay the very real differences among and within the world’s religions, Hart nonetheless maintains that underlying those differences is a commonly shared cluster of claims about God that can be found in Judaism, Christianity, Islam, Vedantic and Bhaktic Hinduism, Sikhism, and various forms of ancient paganism. (He also finds continuities with a number of Buddhist concepts, though he doesn’t press the case.)
The first of these shared claims is that God transcends the universe. Without exception, our clamorous and combative atheists treat God as if he were the biggest, most powerful object or thing in, or perhaps alongside, the universe (a Flying Spaghetti Monster, perhaps). Then they use the findings of science to show that there is no evidence for such an immensely powerful object or thing. And ipso facto, there is no God.
But, of course, the major world religions don’t view God in this way at all. They treat God, instead, as the transcendent source, the ground, or the end of the natural world. And that is an enormous — actually, an infinite — difference.
Scientists are heroically proficient at detecting the laws that govern the natural world. They interrogate phenomena, trace effects back to their contingent causes, and then those causes back to even prior causes, developing and testing theories that seek to explain the temporal sequence. In the case of cosmology, that sequence extends all the way back to origins of the universe — to the first contingent cause of every subsequent cause over the past 13.82 billion years or so.
God concerns something else entirely. He is certainly not one of the many contingent causes within the natural world. But neither is he the first contingent cause, setting off the Big Bang from some blast-resistant fallout shelter lodged, somehow, outside of and prior to the universe as we know it.
On the contrary, according to the classical metaphysical traditions of both the East and West, God is the unconditioned cause of reality — of absolutely everything that is — from the beginning to the end of time. Understood in this way, one can’t even say that God "exists" in the sense that my car or Mount Everest or electrons exist. God is what grounds the existence of every contingent thing, making it possible, sustaining it through time, unifying it, giving it actuality. God is the condition of the possibility of anything existing at all.
This can be a difficult concept to grasp, but Hart does an exceptionally good job of explaining it — as he does the way this classical idea of God makes sense of the experience and unity of consciousness, as well as the ecstatic longing for the good and the beautiful that lies at the heart of moral experience.
In a move sure to enrage atheists, Hart even goes so far as to argue that faith in this classical notion of God can never be "wholly and coherently rejected" — and not only because it may very well be self-contradictory to prove the nonexistence of an absolute, transcendent ground of existence.
The deeper reason why theism can’t be rejected, according to Hart, is that every pursuit of truth, every attempt to be good, every longing for beauty presupposes the existence of some idea of truth, goodness, and beauty from which these particular instances are derived. And these transcendental ideas unite in the classical concept of God, who simply is truth, goodness, and beauty. That’s why, although it isn’t necessary to believe in God in some explicit way in order to be good, it certainly is the case (in Hart’s words) "that to seek the good is already to believe in God, whether one wishes to do so or not."
That bracing and bold assertion, like the others that pack nearly every page of The Experience of God, should be questioned and subjected to scrutiny. But it should also be pondered. For provoking deep thought about the profoundest human questions, and for taking an intelligent stand in defense of faith and against its complacent, cultured despisers, Hart deserves the gratitude of a large and appreciative audience.

Book Review: 'The Experience of God: Being, Consciousness, Bliss' by David Bentley Hart

He Is Who Is


January 27, 2914




Rilke’s Malte Laurids Brigge asks, “Is it possible that there are people who say ‘God’ and think it is something they have in common?” This would have made an apt epigraph to David Bentley Hart’s brilliant, frustrating new book, which he says he wrote from the conviction that
while there has been a great deal of public debate about belief in God in recent years…the concept of God around which the arguments have run their seemingly interminable courses has remained strangely obscure the whole time. The more scrutiny one accords these debates, moreover, the more evident it becomes that often the contending parties are not even talking about the same thing; and I would go so far as to say that on most occasions none of them is talking about God in any coherent sense at all.
The “public debates” Hart has in mind were the subject of his 2009 work, Atheist Delusions, an unanswerable and frequently hilarious demolition of the shoddy thinking and historical illiteracy of the so-called New Atheists (Richard Dawkins, Daniel Dennett, Christopher Hitchens, and Sam Harris). As Hart and several other critics—including Mark Johnston, Marilynne Robinson, Charles Taylor, and Terry Eagleton—have demonstrated, whatever the New Atheists don’t believe in, it’s not God, at least not God as conceived by a single one of the major theistic traditions on the planet.
Instead, the New Atheists ingeniously deny the existence of a bearded fellow with superpowers who lives in the sky and finds people’s keys for them. Daniel Dennett wants to know “if God created and designed all these wonderful things, who created God? Supergod? And who created Supergod? Superdupergod?”—thereby revealing his lack of acquaintance not only with Augustine and Thomas but with Aristotle.
It was Aristotle who wrote that “one and the same is the knowledge of contraries.” Denys Turner, in his recent Thomas Aquinas (which makes a fine companion piece to The Experience of God), puts the matter like this: “Unless…what believers and atheists respectively affirm and deny is the same for both, they cannot be said genuinely to disagree.”
There are, then, a great many people who say “God” and mistakenly believe that they have the notion, at least, in common. Hart is interested in clarifying the notion, and one of his deeper points is that the major theistic religions do indeed have something in common when they say “God.” In a churlish review for Harper’s, Jane Smiley writes that Hart “is robustly convinced that there is only one definition of God, and that is his own.” She then quotes Hart’s “own” definition: “one infinite source of all that is: eternal, omniscient, omnipotent, omnipresent, uncreated, uncaused, perfectly transcendent of all things and for that very reason absolutely immanent to all things.”
As Hart makes plain, however, and as anyone even slightly familiar with the history of metaphysics is aware, that definition is not Hart’s, but one shared by most major religious and philosophical traditions. It is as much Aristotle’s definition as it is Moses Maimonides’s and Thomas Aquinas’s and Mulla Sadra’s and, indeed, Spinoza’s. It describes equally Brahman and Yahweh. Nor is Hart here proposing a dilution of the real differences among religions, à la Huston Smith; he is interested in what the theistic traditions disclose, a common conception of the ultimate transcendental ground of being. For Bahá’ís as for Sikhs, God is not one being among others, not even an especially powerful and wise being (this, Hart points out, is what differentiates God from gods). As Aquinas puts it, God is ipsum esse subsistens. In fact, Aquinas’s definition of God at the outset of the Summa, which uncannily anticipates Hart’s, has made more than a few Christian theologians uneasy precisely because it is a philosophical definition that could apply just as easily to Allah or Yahweh as to the Trinity.
Hart is an Eastern Orthodox Christian, but The Experience of God is, as the above suggests, wonderfully ecumenical: he draws with ease on the Upanishads, Sufi poetry, Islamic philosophy, and the Church Fathers to support his thesis that “naturalism—the doctrine that there is nothing apart from the physical order, and certainly nothing supernatural—is an incorrigibly incoherent concept, and one that is ultimately indistinguishable from pure magical thinking.” He grounds his argument in three chapters: one on being (“Why is there something rather than nothing” is not a question about what processes within nature—quantum fluctuation, say—gave rise to the universe, but about being as such, a question for religion and ontology rather than for a materialist cosmology); one on consciousness (despite the cocksure proclamations of certain pop neuroscience writers, we still have no idea how the activity of eighty-some billion neurons gives rise to the qualia of subjective experience; mind is obviously related to brain, but there is simply no credible rationale for ruling out the mental as a formally distinct reality); and one on bliss (a rather muddled discussion of epistemology, ethics, and aesthetics).
These sections compose “meditations on the meaning of the word ‘God,’” but I do wish they bore less of a resemblance to repetitive chanting. For Hart, often a subtle and eloquent writer, has come down with Harold Bloom Syndrome, whose sufferers reiterate perfectly good themes until they lose their rhetorical force. He tells us, for instance, that God “is not a ‘being’…not one more object in the inventory of things that are, or any sort of discrete object at all.” And that “God…is beyond all mere finite beings.” And that “God is not a being…but is absolute Being as such.” And “God’s being [is] different from the being of a finite thing.” And “God is to be understood as the unconditioned source of all things, rather than merely some very powerful but still ontologically dependent being.” We must not be deluded that “God is just another being among beings.” For the God of the theistic faiths is not “any kind of object at all, but is himself the light of being.” Also, God is not “a finite entity who can be classed alongside or over against the finite entities that belong to nature.”
Now, this is a vital point, and it is precisely where most atheists go wrong. (After I published an article on the subject, someone wrote to protest that the laws of physics suffice to disprove the existence of God. This really is the philosophically illiterate level at which these “debates” take place.) But the above is a mere sampling of the morass of repetition into which Hart repeatedly falls back. At crucial junctures, he will restate some thesis, disclaim the desire to prove anything, and self-consciously gesture toward his bibliography.
These faults, however, do not sink The Experience of God. Hart is a phenomenally gifted thinker who recalls believers of all faiths to the best of their traditions, challenges unbelievers to examine their own metaphysical presuppositions, and does these with tremendous gusto. He has written a necessary book in a bad time. In this country, for instance, the transfer of wealth from the poor to the rich continues unabated while the CIA assassinates Pakistani grandmothers tending their gardens. Yet a great many American Christians are content to ignore their own Scripture’s not exactly subtle precepts regarding economic justice and state murder, preferring to fret about the age of the earth and the calamitous threats posed by same-sex marriage. And non-Christians are likely to believe all sorts of dumb things about a religion unbelievers used to actually study for its sociocultural relevance.
Hart, on the other hand, will suffer no fools of any creed. He notes that biblical literalism—a very recent phenomenon, as he points out—requires one to believe “that Adam could have hidden from [God] behind a tree,” while Origen, in the third century, thought it was self-evident “that these are figural tales, communicating spiritual mysteries, and certainly not historical records.” And Hart is right to hold “young earth creationists…who believe that there really was a Noah who built a giant ark to rescue a compendious menagerie from a universal deluge” partly responsible for the proliferation of lazy atheist manifestoes.
Of course, showing up American fundamentalism is about as hard as shooting the deck of an aircraft carrier when you’re standing on it, and it is the absurdities of popular scientism that Hart was put on this earth to expose. Here he is on Dawkins’s vacuous concept of the “meme”:
Genetic materials are propagated by physical transactions because they themselves are physical realities; at their level, no conscious acts need be present. Whatever else “memes” might be, however, if such things really did exist, they would most definitely be composed of intentional content and would exist only as objects of mental representation. They would not therefore be metaphorically “selected” by nature, in the way the units of biological evolution are said to be, but would literally be chosen (even if often a little passively) by a conscious mind.
What’s astonishing isn’t that Dawkins can’t see that the meme is merely a metaphor, but that he doesn’t realize it’s a metaphor that presumes intelligent design. (Hart dismisses the Intelligent Design movement, though more kindly than it deserves.)
Hart is at his impish best when prompting us, with understandable exasperation, to remember that the natural sciences study nature—which is to say, what exists within spacetime. There is no doubt that they are very good at this: I’m typing these words on a new MacBook Pro, and antibodies are developing in my body in response to a flu vaccine, and I can hear an airplane in the skies above Chicago. Thomas Aquinas was in no more doubt of science’s validity within its sphere than is Dawkins. But “within its sphere” is easily misread in the dim light naturalism casts upon metaphysical questions today, when science is said to explain Faulkner’sAbsalom, Absalom! and R. Kelly’s “Ignition (Remix)” and why I love both so much. (You won’t be surprised to learn it has something to do with natural selection.)
The central folly of scientism is the assumption that “Why is there something rather than nothing?” is a question for science—whose proper field is, after all, “something”—or, even more perniciously, that it isn’t a question worth bothering about, isn’t really a question at all. Hart borrows a delightful illustration of the problem:
How is it that any reality so obviously fortuitous—so lacking in any mark of inherent necessity or explanatory self-sufficiency—can exist at all? The American philosopher Richard Taylor once illustrated this mystery…with the image of a man out for a stroll in the forest unaccountably coming upon a very large translucent sphere. Naturally, he would immediately be taken aback by the sheer strangeness of the thing, and would wonder how it should happen to be there. More to the point, he would certainly never be able to believe that it just happened to be there without any cause, or without any possibility of further explanation; the very idea would be absurd. But, adds Taylor, what that man has not noticed is that he might ask the same question equally well about any other thing in the woods too, a rock or a tree no less than this outlandish sphere, and fails to do so only because it rarely occurs to us to interrogate the ontological pedigrees of the things to which we are accustomed.
This is certainly the dark wood in which we seem to find ourselves. But while I agree with Hart that naturalism appears incoherent—its incoherence is the external warrant for my belief in God—I think he is too hasty to dismiss the possibility that our bafflement before ontological mystery is the result of our being the particular kind of limited animals we are. A badger cannot understand differential equations, but that tells us something about badgers, not equations. I’m not sure I share Hart’s confidence in human “reason’s power to illuminate reality.” My own beliefs notwithstanding, there might be some natural but unfamiliar perspective from which the question “Why is there something rather than nothing?” simply dissolves—as from our perspective differential equations pose no insurmountable obstacle to understanding.
Still, the badger doesn’t know there is a problem to be faced in the first place. And the giant translucent spheres that surround us everywhere we turn are astonishing indeed.

Tuesday, May 13, 2014

Book Review: 'Clouds of Glory' by Michael Korda


Bestselling biographer Michael Korda examines the life of legendary general Robert E. Lee who, despite being the subject of many books, remains an enigma.

By David Holahan / May 12, 2014



In 1859, when US Army Brevet Colonel Robert E. Lee captured John Brown and his band of abolitionists at Harpers Ferry, Lee was 52; his military career, while respectable, had not been what he had hoped. His only previous combat experience had been more than a decade earlier, in the Mexican War, and it had come 21 years after he had enrolled at West Point.

An accomplished combat engineer, Lee had battled the migrating Mississippi River to a draw. He chased the Comanche about Texas without catching them. He served as superintendent of his alma mater.
In many ways, the gentlemanly and intensely patriotic Robert E. Lee was an unlikely champion of the Confederacy. He found the notion of secession “silly” and dangerous, while fervently hoping that the union could be saved short of a war that he correctly believed would prove ruinous. Although he owned several slaves and in 1857 inherited dozens more from his father-in-law, he was not fond of the institution and was committed to freeing his human property in good time – which he did in 1862, beating Lincoln to the punch. Later, when the war was going badly for the South, he urged, in vain, that slaves be given the opportunity to fight for their freedom, in the Confederate States Army.
In Clouds of Glory, the Life and Legend of Robert E. Lee, Michael Korda ably documents his subject’s journey from obscurity to quasi-deification in the South and beyond. However, Korda, who is the bestselling biographer of Ulysses S. Grant, T.E. Lawrence, and Dwight D. Eisenhower, breaks no new ground and doesn’t pretend to. The former top editor at Simon & Schuster is content to mine the work of his predecessors like Douglas Southall Freeman while periodically injecting his own analysis on contested matters, such as whether Lee ordered three runaway slaves, including a woman, to be whipped severely.
Korda clearly has command of the life and times of his subject. All three of Lee’s sons fought for the Confederacy and the General would run into them periodically on and off the battlefield, including his son Rooney as he was being carried from the field with a serious leg wound. Korda’s mastery of such details adds texture to his account. The reader learns that that none of Lee’s four daughters married and that his sister sided with the Union, for which his nephew fought bravely. The war’s devastation did not spare Lee’s family.
The author dutifully re-fights every battle of the Army of Northern Virginia in vivid detail, and his analysis of what Lee meant to the Lost Cause, both during and after the Civil War, is well-considered and amply documented. Military buffs will find much to feast on, while general readers may suffer battle fatigue.    
For all of his familiarity with the Lee literature, the author’s grasp of history sometimes slips. For example, he writes that when Lee journeyed north in 1825 to enroll at West Point, he was entering a region “where slavery did not exist.” In fact, slavery was still legal in New York and elsewhere in the North; it would remain so in New Jersey and New Hampshire until 1865. Later on, he has the Kansas-Nebraska Act passing in 1845, not 1854.
On another front, it must be noted that this is a very long book, 832 pages, and it suffers on occasion from redundancy and inadequate organization. The reader is reminded repeatedly of Lee’s height (5 feet 10 inches or nearly six feet, take your pick), that slaves were bought and sold like chattel, that Lee was quite the flirt, and that Confederate currency was nigh unto worthless, particularly in the North.
On the plus side, Korda conscientiously addresses larger issues that deserve attention such as his subject’s racial attitudes and his views on slavery, although he does so piecemeal rather than tackling it in one coherent chapter. A bit more analysis on this intriguing topic would have been welcome as well.
Lee believed that slavery was pernicious, albeit, curiously enough, more so for whites than for blacks; that slaves were better off for having been brought to America; and that slavery was a legitimate approach to preparing the black race for better days to come. He also believed that slavery had to come to an end at some point, although not at the point of a Union sword.
Despite the preceding, Lee stated after the war that he thought it best for the former slaves to return to Africa. Earlier, in a letter to his wife in 1856, Lee wrote, “The painful discipline they are undergoing, is necessary for their instruction as a race, & I hope it will prepare & lead them to better things. How long their subjugation may be necessary is known & ordered by a wise Merciful Providence.” This would have been a good spot for Korda to note, as he does elsewhere in the book, that the “instruction” of blacks (slaves and freedmen alike) did not include education in Virginia, where teaching blacks to read was illegal.
For all that has been written about him, Lee remains an enigma. He fought for a cause to which he didn’t fully subscribe. A patriot whose father fought alongside George Washington, he placed state ahead of nation: as Virginia went, so went Lee. A devout Christian who was kind and decent in his personal relations, including with blacks in many documented instances, Lee fought to the bitter end – arguably beyond it. Yet afterward, other than wearing his old uniform, he was a model of submission to Federal authority.
One is left wondering, at the end of the book whether Lee was too good a general. If he hadn’t saved Richmond, the Confederate capital, in 1862, or kept the Confederacy alive on life support after Gettysburg in 1863, perhaps it would have been for the best. Almost half of all the war’s casualties and more than half of civilian deaths occurred in the two years leading up to Appomattox. Two-thirds of the wealth of Confederate states had disappeared by 1865; the 20th century would dawn well before they got back to where they were in 1860. 
David Holahan is a regular Monitor contributor.

Monday, May 12, 2014

'Longmire' Author Craig Johnson Reveals Why His Hero Is Less Than Perfect, And Who His Characters Really Are


By Caroline Frost
http://www.huffingtonpost.co.uk/
17 April 2014



Craig Johnson

If 'Longmire' fans can’t get enough of their TV hero, the enduringly solitary Sheriff Walt Longmire of the title, and the untrammelled forests and plains among the Wyoming landscapes that constitute his beat, it seems his creator is equally enamoured by his own ventures far afield, in today’s case, a sunny London.
“I’m enjoying all the resources,” says author Craig Johnson with a huge smile. “My town only has 25 people in it, so you can imagine this is all pretty overwhelming. My biggest decision is what theatre to go and see. It’s all very novel.”
Holiday aside, however, it’s clear that Craig’s home of Ucross, Wyoming, remains his natural territory, and it is this familiarity with both the landscape and the crucial role of Sheriff within it that is the backbone to the success of ‘Longmire’, in Craig’s ten novels of the series, and now also the hit TV adaptation.
“I don’t want him on a cruise ship, or jetting around on a skateboard,” explains the author. “I want to paint a realistic portrayal. There has to be a certain amount of honesty involved, even if it’s a little dramatically heightened, just so we can give him something to do each week.
“But all the stories in the series come from newspapers I’ve read in Wyoming and Montana. You become like a horse handicapper – you read something in the paper, and you think, ‘well, there’s 400 pages in that one.’”
Craig has become both horse handicapper and a literary Doctor Frankenstein, apparently. He explains, “Walt is based on elements of about half a dozen people. Each time I come up with characters, I stitch pieces of different people together to tell the story. Everyone’s based on family, friends and neighbours.
“Anyone talking to me for more than 20 minutes is taking their literary legacy in their hands. 

“It’s a small town, though, so people soon figure out who they are, but no one’s complained yet. When I’ve given people the choice of changing their name, they always seem to want to stay in.”
No surprise, really, with the popularity of the books giving these characters their place in history, along with Walt himself, whom Craig decided very early on wasn’t going to be perfect…
“All characters in crime fiction are always 6’2” and made of twisted steel,” he complains. “It’s a little tiresome.
“I wanted Walt to be realistic. He’s overweight, he’s over-depressed, and one of the defining elements of his life is that he lost his wife, and it’s not something he’s ever going to get over. To me, that’s what makes a character, not perfect but interesting.”
As well as his personal status, Walt’s role of sheriff – the only elected law enforcement official in the United States – is a job of endless fascination to both Craig and, clearly, his creation’s many fans.
“The sheriff isn’t just a policeman, but also a politician,” he explains. “He’s connected to society, culture, the people who elected you. You have to be likeable to get elected, but you also have to be responsible, because there are so many opportunities for nepotism, corruption, the edge of vice, so it becomes an extremely complex job.
“Add to that these rural areas, in a place like Wyoming where some counties are as big as other states, where resources are stretched sheet thin, and where neighbours are extremely dependent on one another for survival, and suddenly it’s a long way from some dude in chrome sunglasses, asking, ‘Who you looking at?’”
It’s clear Craig’s fascination with the subject matter is in no danger of drying up, in fact, he reveals he has another half a dozen novels already planned out, even if Longmire’s debut appearance was initially intended to be only a stand-alone book.
“If anyone had told me, years later, people would be so hungry for more of Walt’s adventures, I would have laughed,” he says. “I’m not reinventing the wheel, but I’m trying to make each one different even now.”
No temptation to send Walt into the world of modern technology and forensics, then? Craig shakes his head…
“Absaroka County is the least populated county in the least populated state in the US,” he explains. “That forces me to concentrate on character and place, and both have always been infinitely more interesting to me.”
Finally, is Walt’s creator also Walt’s admirer and, if so, what does he like about him? Craig Johnson pauses for thought, and gives a suitably horizon-scanning response for his solitary, gruff but compassionate hero…
“He’s taught me patience,” he finishes. “When I first created him, I was in my early forties and not very patient about anything. There’s a process to what he does, and he takes his time.
“Now, particularly in a modern world, that’s a very powerful weapon.”
'Longmire' Seasons 1 and 2 are available on Blu-Ray and DVD. Season 2 is currently being shown in the UK on TCM, every Sunday at 9pm. Season 3 will be debuting later this year, as will Craig Johnson's 11th novel in the series. Watch the very first trailer below...

Sunday, May 11, 2014

On Benghazi: Who’s Crazy?