Tuesday, July 13, 2010

George Steinbrenner: July 4, 1930 - July 13, 2010

George Steinbrenner, owner of New York Yankees, has died in Tampa at age of 80 after heart attack

By Bill Madden
DAILY NEWS SPORTS WRITER
http://www.nydailynews.com/
July 13, 2010


Along with Mayor Rudy Giuliani, Steinbrenner and Torre celebrate the Yankees Subway World Series victory over the Mets with a ticker-tape parade and rally at City Hall. It was the sixth and final world title of Steinbrenner's tenure as owner.

Credits: Keivom, James


George Steinbrenner, owner of New York Yankees, has died in Tampa at age of 80 after heart attack

George Steinbrenner, a towering and intimidating figure who dominated the New York sports scene for 35 years, winning 11 American League pennants and seven world championships as owner of the Yankees, in and around two suspensions from baseball and multiple feuds and firings, died Tuesday morning in Tampa after suffering a massive heart attack. He was 80.

"The Boss" - as he was so aptly named by Daily News columnist Mike Lupica, his longtime antagonist - died at around 6:30 a.m. He had been suffering from failing health, the result of a series of strokes, for the past few years.

His family released a statement Tuesday morning. "It is with profound sadness that the family of George M. Steinbrenner III announces his passing," the statement said. "He was an incredible and charitable man. First and foremost he was devoted to his entire family - his beloved wife, Joan; his sisters, Susan Norpell and Judy Kamm, his children, Hank, Jennifer, Jessica and Hal; and all his grandchildren. He was a visionary and a giant in the world of sports. He took a great but struggling franchise and turned it into a champion again."

In Steinbrenner's blustering and bombastic reign as the longest-termed owner in their history, the Yankees recovered from the rubble of their darkest era under CBS' ownership (1964-72) to win world championships in 1977 and 1978, only to fall and then rise again with another dynastic string of four championships under manager Joe Torre from 1996-2000 and then winning a seventh world championship for him under Joe Girardi this past season.

At the same time, the franchise Steinbrenner and a group of 15 limited partners purchased on Jan. 3, 1973 for $8.8 million from CBS (or $4.4 million less than the network had paid for it), skyrocketed in value to over a billion dollars, according to analysts, after Steinbrenner brokered unprecedented worldwide marketing deals for the Yankees and formed his own cable television network (YES) to broadcast the team's games. Steinbrenner's personal initial investment in the team was $168,000.

But until his mostly glorious sunset years, during which his management team of chief adviser Gene Michael, GM Brian Cashman and Torre remained intact and the team payroll escalated to the $200 million plateau, Steinbrenner's operation of the Yankees was one of constant upheaval, turmoil and instability. This was no better evidenced than by his hiring and firing of 12 managers (including Billy Martin five times) between Ralph Houk (whom he inherited in 1973) and Torre. And prior to Cashman's ascension at age 30 to the Yankee GM role in 1998, no less than 14 people (including Michael twice) held that position before ultimately finding the working conditions intolerable and, in many cases, hazardous to their health.

A gathering of legends. Daily News cartoonist Bill Gallo (l.) presents Steinbrenner and Martin with a special Daily News 'Pride of the Yankees' cover in April, 1983.

Credits: Stahl, Bill


Hard as he was on his managers and general managers, Steinbrenner feuded with his players as well, the most notable being Dave Winfield, whom he signed to a then-record 10-year, $23 million free-agent contract in 1980. The ink was barely dry on the deal when Steinbrenner discovered his lawyers had neglected to inform him of cost-of-living clauses in it that greatly enhanced its value. This, in turn, led to a bitter feud between Steinbrenner and his new superstar left fielder that culminated with the Yankee owner's second suspension from baseball, July 30, 1990, after it was revealed he'd paid $40,000 to a self-described gambler, Howie Spira, to provide dirt to him on Winfield.

Through the years, Steinbrenner had acrimonious fallings out with many of his star players such as Reggie Jackson, Lou Piniella, Goose Gossage, Graig Nettles and Sparky Lyle, only to later patch things up and welcome them back into the Yankee fold. With Yankee icon Yogi Berra, however, the feud was a lasting one. Berra, who Steinbrenner fired as manager just 16 games into the 1985 season, vowed never to return to Yankee Stadium "as long as (Steinbrenner's) there," and was estranged from the organization until January of 1999 when a peace pact was finally brokered between the two with Steinbrenner issuing a public apology to him.

And when Steinbrenner wasn't publicly sparring with his own Yankee underlings, he was seemingly in constant war with commissioners, league presidents, umpires and other team owners and officials. From 1983 until 1995, it was calculated that he'd accrued $645,000 in fines stemming from those feuds. In 1983 alone, Steinbrenner was levied fines totaling $305,000 for various offenses against baseball mankind, as well as being suspended for a week by American League president Lee MacPhail for making derogatory remarks about umpires Darryl Cousins and John Shulock.

If nothing else, Steinbrenner's public jabs at his many targets of derision and contempt were colorful. He once called White Sox owners Jerry Reinsdorf and Eddie Einhorn "those two pumpkins" and "the Katzenjammer twins" (for which he was fined $5,000). Responding to a 1981 off-the-cuff remark by Mets GM Frank Cashen about Yankee Stadium being "Fort Apache," Steinbrenner referred to him as "that pus-sy face little man" - a term he used a variation of some 25 years later when he called his Japanese pitching prodigy Hideki Irabu "a fat pus-sy toad." And during the height of the Yankee-Red Sox hostilities in 2003, he referred to Boston CEO Larry Lucchino as a "chameleon" after Lucchino labeled the Yankees "the evil empire."

The low point of the Steinbrenner-created turmoil in 1983 came when The Boss was fined $250,000 by Baseball Commissioner Bowie Kuhn for his actions and statements surrounding the infamous "Pine Tar Game" in which MacPhail overturned an umpires' ruling disallowing a game-winning home run by the Kansas City Royals' George Brett because of excessive pine tar on his bat. MacPhail ordered the game to be picked up from the point of Brett's home run when the Royals returned to New York 3-1/2 weeks later.

In the meantime, Steinbrenner, with notorious rogue attorney Roy Cohn as his point man, filed lawsuits against baseball in the courts of Manhattan and the Bronx in an attempt to prevent the game from being restarted. The final straw for Kuhn was when Steinbrenner, in an obvious attempt to incite the New York fans against the AL president, suggested publicly that "MacPhail ought to go house-hunting in Kansas City."

It was Kuhn who handed down Steinbrenner's first suspension, barely 23 months after he'd purchased controlling interest in the Yankees. Having pled guilty to one count of conspiracy for making illegal contributions to Richard Nixon's 1972 presidential campaign, Steinbrenner was suspended in November of 1974 for two years by Kuhn for actions detrimental to baseball. The suspension was lifted by Kuhn after 15 months for "good behavior" but by then Steinbrenner had already been working undercover to buy and build the Yankees into a super power again.

In December of 1974, Oakland A's ace right-hander Catfish Hunter was declared a free agent by baseball arbitrator Peter Seitz on the grounds that his contract had been breached. A wild bidding war ensued and on New Year's Eve, the Yankees announced they had signed Hunter to what was later revealed to be a five-year $3.35 million deal.

Although Steinbrenner was on suspension at the time of the Hunter signing, there was no question he had engineered it, and from there the Yankees became the biggest players in the advent of free agency. Hunter was the cornerstone to their renaissance, followed by the high profile signings of Jackson and pitcher Don Gullett in 1976 and the fearsome closer, Gossage, in 1977. More than any other owner at the time, Steinbrenner understood how, through free agency, a team could go from the bottom to the top in a hurry, and he, of course, had the resources to do it.

Steinbrenner celebrates the Yankees five-game victory over the Royals in the 1976 ALCS with Yogi Berra (l.) and manager Billy Martin (r.). The Bombers are swept by Cincinnati's 'Big Red Machine' in the World Series.

Credits: Farrell, Dan


But after the back-to-back world championships in 1977 and 1978 and winning 103 games in 1980 (after which he still fired manager Dick Howser because the Yankees got swept in the ALCS by the Royals), Steinbrenner began to get carried away with signing free agents, to the detriment of the Yankee farm system. For all his free agent successes of the '70s, there were just as many expensive flops in the '80s - singles-hitting outfielder Davey Collins (three years, $2.4 million), pitchers Ed Whitson (five years, $4.5 million, Pascual Perez (three years, $5.1 million), outfielder Steve Kemp (five years, $4.5 million), reliever Rawley Eastwick, (five years, $1.1 million), all of which were considered at the time to be market-busting deals.

Steinbrenner's nadir as a meddling, destructive owner came in the 1981 World Series when he ordered the benching of Jackson, and got involved in a fistfight on the elevator of the hotel in Los Angeles where the Yankees were staying. He claimed at the time he was defending the honor of his players against two unidentified ruffians who had been making taunting remarks about the Yankees. The two never materialized and after the Yankees lost the Series in six games to the Dodgers, Steinbrenner ordered his public relations director, Irv Kaze, to read a public apology to the Yankee Stadium fans, further infuriating his players.

As a result of Steinbrenner's failed excesses, the Yankees, beginning in 1982, endured the longest pennant draught (15 years) in their history, and as their decline deepened, even their money couldn't lure the better free agents to New York. It was not until Steinbrenner was serving his second suspension, this one levied by commissioner Fay Vincent, that the Yankees, under Michael's stewardship, began planting the seeds to a new era of prosperity and refreshing stability.

A primary factor in the '90s Yankee renaissance was the farm system which for years Steinbrenner had repeatedly ravaged with impulsive "win now" deals in which he sacrificed top prospects like outfielders Jay Buhner and Willie McGee and first baseman Fred McGriff. With Steinbrenner again on suspension, the farm system was allowed to flourish and homegrown talents Bernie Williams, Derek Jeter, Andy Pettitte, Jorge Posada and Mariano Rivera - any and all of whom would have likely been traded under Steinbrenner's operating policy of the '80s - instead made it to the Bronx to form the nucleus of the Torre-managed championship seasons.
The October 1995 hiring of Torre - whose managerial term far exceeded any of Steinbrenner's previous 13 pilots - was the end result of another tempest. After leading the Yankees to the playoffs for the first time since 1981, Buck Showalter balked at the two-year $1,050,000 contract extension offered him, prompting Steinbrenner to take the offer off the table and sever ties with him. Steinbrenner then issued a statement in which he wished "nothing but the best for Buck and his little family."

Things start to turn around in 1995 when Buck Showalter leads the team into the playoffs, but it isn't until Steinbrenner brings Joe Torre into the mix as manager that the Yankees dynasty finally re-emerges. Here the emotional pair celebrate a 1998 World Series sweep over the Padres. It's the second world championship in three years for the Bombers.

Credits: PAT SULLIVAN/AP


But, as with Howser (whom he called from a roadside pay phone in Tampa, to say he'd reconsidered his decision to fire him), Steinbrenner had second thoughts about letting Showalter go and actually drove to his home in Pensacola, Fla., a few days later, asking him to come back. Like Howser in 1980, however, Showalter said "no thanks," pointing out the fact that Steinbrenner, on the advice of Michael, had already hired the Brooklyn-born Torre as his new manager.

Although they had their inevitable clashes, Steinbrenner admitted that he never had a better relationship with a manager than he had with Torre, although that, too, ended badly when Torre turned down a incentive-laded contract after another quick playoff exit in 2007. It was at that fateful meeting in Tampa that Torre looked Steinbrenner in the eye and called the offer "insulting." In turning down the offer, Torre then told Steinbrenner that The Boss would never have become a billionaire without Torre and his winning teams. Torre was replaced by Girardi, his former catcher, and went on to manage the Los Angeles Dodgers.

Born July 4, 1930, in Cleveland, Steinbrenner spoke often about his demanding father, Henry, as having been the most influential person in his life. Henry Steinbrenner had graduated from MIT where he was an NCAA hurdles champion. Young George tried to emulate his father (whose dictum was "always work harder than anybody else") but, by his own admission, he was never able to please the old man.

After attending Culver Military Academy in Indiana, Steinbrenner didn't have the grades to follow his father to MIT. But he did get admitted to Williams College where he, too, excelled in running the hurdles. It was at Williams where Steinbrenner developed a passion for the classics, as well as Gen. George Patton. Throughout his years running the Yankees he would readily recite his favorite quotes of various philosophers, poets and military leaders, many of which are also inscribed on the clubhouse walls of both Yankee Stadium and the team's spring training complex in Tampa.

Upon graduation from Williams, Steinbrenner went into the military service for three years and, at Lockbourne Air Force base near Columbus, Ohio, set up a coffee cart franchise that served 16,000 soldiers and office workers. After his discharge, he stayed in Columbus to coach football and basketball at St. Thomas Aquinas High School.

It was also there that he met a local student at Ohio State, Joan Zieg, whom he married.

In 1955, Steinbrenner was hired as an assistant football coach at Northwestern under Lou Saban, who remained a lifelong friend and even served a brief term as Yankee president. In 1956 and 1957 he served as Jack Mollenkopf's backfield coach at Purdue. Then, in 1957 he elected to enter his father's shipbuilding business, Kinsman Transit, which had been a fixture on the Great Lakes since 1882.

By this time, the elder Steinbrenner had grown weary of trying to compete against the larger shipbuilding corporations, which was fine with his hard-driving son who relished the challenge of butting heads with big business. Steinbrenner later became part of a group that purchased American Shipbuilding Co. and by 1972 the company's gross sales were more than $100 million annually.

The Boss shows off his long-ball prowess as he joins Yankees practice in 1981. Steinbrenner dabbles in sports before buying the Bronx Bombers, serving as an assistant football coach at Northwestern and then owning a minor-league basketball team.

Credits: Carroll, Pat


In the early 1980s, however, the government had eliminated shipbuilding subsidies and American Ship began a long decline - ironically paralleling that of Steinbrenner's Yankees. In 1983, Steinbrenner shuttered the company's Lorain, Ohio, offices and moved all his operations to Tampa. Mounting losses, however, prompted the company to file for Chapter 11 bankruptcy in 1993.

Throughout his tenure of running the shipbuilding business, Steinbrenner maintained a connection to his real passion, sports. In the '50s he owned the Cleveland Pipers of the ill-fated American Basketball League, and he was a longtime member of the U.S. Olympic Committee. After moving to Tampa, Steinbrenner became actively involved in horse racing. He briefly owned Tampa Bay Downs and bred horses on his farm in Ocala, Fla. He was also presented with the prestigious Gold Medal award from the National (college) Football Foundation in 2002.

But his sports legacy, of course, is the Yankees. "I've just bought the Mona Lisa of sports teams," he said upon closing the deal with CBS for the team in 1973 - to which his father said to him: "You finally did something right."

But of all the quotes uttered by and about him, the one that probably most summed up the essence of Steinbrenner was that of John McMullen, one of his early limited partners with the Yankees. When asked why he was selling his share of the Yankees, McMullen replied: "Because I came to realize that there is nothing quite so limited in life than being a limited partner of George Steinbrenner."

Beside his wife, Joan, Steinbrenner is survived by two sons, Harold and Hank, and two daughters, Jennifer and Jessica, all of whom reside in Tampa.

Funeral arrangements will be private. There will be an additional public service with details to be announced.


George Steinbrenner: The Boss steals the headlines one last time on day of All-Star Game

By Mike Lupica
The Daily News
http://www.nydailynews.com/
Tuesday, July 13th 2010, 11:28 AM

Of course he was the headline in baseball one last time on the morning of baseball's All-Star Game. George Steinbrenner died Tuesday morning, died less than two weeks after his 80th birthday on the 4th of July, died of a massive heart attack after being in failing health for years. The story in baseball now wasn't the game always known as the Midsummer Classic. It was him. A different kind of classic, good and bad but never indifferent, from the day he first showed up in town nearly 40 years ago.

A classic. Classic Steinbrenner, upstaging the All-Star Game. Not just the back page of the New York papers this time, the guy who really made that notion - The Back Page! - part of the conversation of New York and newspapers more than anybody ever had before him. Like the back page was one more part of the town he wanted to own. Like it was more real estate.

Just not as valuable as the real estate in the Bronx, on 161st St., where the Yankees were.

At the age of 80, he wasn't just the back page of the New York papers Tuesday morning. He was the front page everywhere. The first stories, before it became official that Steinbrenner had died around 6:30 in the morning, immediately described him as legendary. The old man would have loved it.

In passing, with the Yankees back on top one more time even if you wondered how much he was able to enjoy that last year, he was even more than just what he wanted to be when he first showed up in New York in the '70s, which means the biggest guy in town. He wasn't just a back-page story in New York, a story about him and Billy Martin or Reggie Jackson. Or Dave Winfield and Howie Spira.

He was the whole story in sports on this day and night.

Classic. Steinbrenner.

He had not run the Yankees for a while, he had turned the team over to his sons two years ago, he hardly ever showed in New York anymore, or at the new Yankee Stadium. There were would be statements from him, through his P.R. man, the kind that was issued after Bob Sheppard, a legend himself as the Yankees public address announcer, when Sheppard died at 99 this past Sunday.

But those statements did not sound anything like Steinbrenner, not the guy who made himself into the loudest, most famous owner in the history of American sports, the guy who put up less than a million dollars, whatever it was, of his own money when he bought the Yankees from CBS and built the Yankees back up into what they are now: A baseball team worth more than a billion dollars, a team back to being the biggest brand in sports.

I asked him one time, a thousand years ago, in his old office at the old Stadium with that big desk, one of those times when we were talking to each other, how much HE thought the Yankees were worth.

He shrugged.

"That only matters if you're selling," he said that day, "and I'm not selling."

He never did. Oh, he came close. There was the time several years ago when it looked like he might sell to Cablevision, which off what the company has done with the Knicks and the Garden might have meant the end of the Yankees. The story at the time was that he wanted to sell a controlling interest but still be able to run the Yankees. No one knows what the conversation was really like between him and Charles Dolan. Maybe only the old man knew how close he came. It never happened.

The Yankees stayed in the family. On the morning he died they still belonged to him. He brought in Joe Torre and saw Torre manage the Yankees back to the top of the baseball world and was still in the room when Torre rejected the Yankees' last contract offer and walked out the door. And before that, after the Yankees lost in the first round of the playoffs to the Tigers in 2006, the last loud roar from Steinbrenner was when he nearly fired Torre himself, before he backed down.

After all the managers he had fired, after the ones like Martin that he kept firing and rehiring, he couldn't bring himself to fire one more.

The Yankees won 11 pennants and seven World Series while they were Steinbrenner's Yankees. While they were the Yankees of Boss Steinbrenner. It was a nickname given here as a joke. But he liked it. And it stuck. He understood the possibilities of free agency before anybody else did, and used free agency, with Catfish Hunter and Reggie back in the day, to get the Yankees to start winning the World Series again.

More than that, he understood the value and the power of a team like the Yankees having it's own television network. And even before that, the first huge money he got from the Madison Square Garden network, he saw how television money could give the Yankees a financial advantage over the rest of the field.

And he got convicted of a felony for improper campaign contributions before Ronald Reagan pardoned him. He was the only owner in the history of the sports kicked out of his own sport twice, first because of the felony and then because it was discovered that he had paid a man named Howie Spira money to dig up dirt on Winfield.

That was Classic Steinbrenner, too.

But he came back and the Yankees came back and won four World Series in five years with Torre managing them. Then came all the years when they didn't win. He got old. The guy who loved the spotlight more than anybody who ever owned an American team began to back away from it.

His last real moment in it came two years ago, another All-Star Game, this one at the old Stadium. "The field is for the players," he had told me once. Not on this night. The old man was driven onto the field at Yankee Stadium, sitting in a golf cart next to his daughter Jennifer and his son Hal, and a son-in-law, Felix Lopez.

Yogi kissed him on the cheek that night. Reggie was there. The old man cried. The people cheered. In all the big ways, the symbolic ways, that was his real goodbye, the place looking as if it had been built around him.


A Boss Made for the Big City

By TYLER KEPNER
The New York Times
http://www.nytimes.com/
July 13, 2010


Steve Nesius/Reuters

Hank Steinbrenner with his father at a spring training game in March 2008. Hank and his brother, Hal, became co-chairmen of the Yankees in May 2008.


Yankee Stadium was falling apart. A massive chunk of steel had fallen from the upper deck into the loge level seats during batting practice in 1998. I was covering the visiting team, the Angels, and this was my first game working in the Bronx. This was my first sighting of George Steinbrenner.

Standing behind Steinbrenner on the press elevator that night, I had the same view of him that was always shown on “Seinfeld” — arms gesticulating wildly, trying to bring some order to chaos. In this case, Steinbrenner was fuming because the elevator button was not following his command. If he could have fired it, he would have.

Soon enough in that crisis, Steinbrenner found the right presence to project. When play resumed after repairs, Steinbrenner sat in the seat where the beam had crashed, a leader reassuring the masses.

Steinbrenner, who died on Tuesday at age 80, was still a regular presence around the Yankees back then. By 2002, when I started as the Yankees’ beat writer for The New York Times, he was nearing his final chapter. He was still in charge, but he was relatively quiet in public. Yet he had his moments.

On a Saturday morning at Yankee Stadium that August, Steinbrenner’s publicist, Howard Rubenstein, called and said Steinbrenner wanted to talk. His one request was that I ask about a comment from Commissioner Bud Selig that the recent success of the Minnesota Twins was an aberration. We scheduled an interview for that afternoon in Steinbrenner’s office.

The context was important; baseball was closing in on a new collective bargaining agreement aimed at controlling the Yankees’ spending. To Steinbrenner, the fact that the small-market Twins were winning meant the status quo was working. He knew the new agreement would impose taxes on a payroll like his, and he wanted the platform of the Sunday Times to rant.

“I see it hurting us and the other big-market clubs,” Steinbrenner said. “You know, you don’t buy a big-market team thinking it’s a small market. That’s elementary.”

Of course, Steinbrenner, a Cleveland native, had first tried to buy the Indians. But he was made for the big market, the grandest stage. Most of his many charitable donations were done in private, but otherwise, if something was showy, he loved it. In his office that day, he beamed as he pointed to a photo of Joe DiMaggio and Secretariat.

“Two great champions!” Steinbrenner proclaimed, and what could I say. Indeed, they were.

When the Yankees lost to the Angels in the playoffs that fall, I called Steinbrenner at his home for a reaction. He took the call, lauding the late Angels owner, Gene Autry, and vowing to fix the Yankees. Part of his plan, apparently, was picking a fight with shortstop Derek Jeter. In a Daily News interview a few months later, Steinbrenner chided Jeter for partying too much, and lacking focus.

Looking back, the motivation seems clear: it was Steinbrenner’s final test for Jeter before naming him captain. Jeter passed, turning the incident into a cheeky Visa commercial in which he and Steinbrenner go dancing at a nightclub.

The jab at Jeter was a big story in the spring of 2003, and the Steinbrenner stakeout became a ritual in Tampa. You could tell he was nearby when staffers and guards started scurrying, making sure to be at attention. But Steinbrenner was not always angry; once, he greeted the writers with a box full of cheeseburgers from a favorite local hangout, Pete & Shorty’s.

That season was the last time Steinbrenner was truly feisty, when, as a beat writer, you had the hope — or dread — that he would say something provocative. For a few weeks I could reliably get him on the phone, and he told me why. The Times was dealing with the fallout from revelations that a reporter, Jayson Blair, had fabricated articles. Steinbrenner said The Times had always treated him fairly — “Tough, but fair,” he said — and he wanted to show support by helping us out.

Steinbrenner’s health began to decline — sharply, it seemed — after he collapsed at the funeral for the football player Otto Graham in December 2003. You still had to trail him in spring training for the occasional outbursts — a profane insult toward Hideki Matsui’s agent, for example — but he had little interest in the banter of old. As the years passed he seemed less sure of himself, lurching down hallways, forgetting names he had known for years.

Mostly he communicated through Rubenstein’s news releases. The Yankees lost their postseason touch, failing each October from 2002 through 2007, but the notion that Steinbrenner would act rashly was outdated. He often had the same impulses, but General Manager Brian Cashman and others could calm him down.

The Yankees went to great lengths to shield the fading Steinbrenner from public view. He ate in the press lounge in spring training, but usually at times when the writers were occupied elsewhere.

One day in 2006 I saw him there and shook his hand, thanking him for sending a baby gift for my daughter. It was a children’s book written by his daughter Jessica, and it included a congratulatory note that emphasized the importance of fatherhood.

He did not seem to make the connection when I shook his hand, and perhaps he did not remember, or someone had sent the gift on his behalf. In any case, it was a touching gesture, and a window to the gentler side of Steinbrenner so often obscured by his bluster.

I don’t really remember the last time I saw Steinbrenner. It was probably at an exhibition game this spring, when he would sit in an outdoor seat in front of his luxury box, wearing his Yankees windbreaker and dark glasses, looming over the ballpark that is named for him — George M. Steinbrenner Field, on Steinbrenner Drive.

Steinbrenner had not been in the Bronx in November when the Yankees won their seventh title under his command. They clinched it at the new Yankee Stadium, the grand castle on 161st Street that will be a living monument to his legacy. So will this undeniable fact: when George Steinbrenner died, he went out as a champion.


George was truly The Boss

By BOB KLAPISCH
BERGEN COUNTY RECORD COLUMNIST
http://www.northjersey.com/
July 13, 2010

It goes without saying that George Steinbrenner’s passing signals the end of an era in Yankee history, and perhaps, the baseball industry itself. There will never be another owner so powerful, so feared – yet so utterly committed to winning.

This Oct. 21, 1981, photo shows George Steinbrenner working at his desk at Yankee Stadium before Game 2 of the World Series. On the wall behind Steinbrenner is an autographed photo of Cary Grant. (AP)

The Boss was never the game’s richest proprietor, yet unlike the Twins’ Carl Pohlad, he was willing to pour every cent of the team’s profit back in the team’s day-to-day operation. Steinbrenner did so because he was obsessed with being on top. He considered winning his destiny, just as he imagined running the Yankees as part of the American dream.

Steinbrenner wasn’t just a businessman, he was icon, one of those larger than life figures who overwhelmed everyone, from his employees, to the players, even members of his own family. Steinbrenner’s sons, Hank and Hal, made no secret of how mercurial their father could be – loving one minute, spiteful the next.

Steinbrenner brought those traits with him to the ballpark, where he would fire not only Billy Martin, but even his secretaries – quickly re-hiring them after he’d realized those who worked for him often lived paycheck to paycheck. That was Steinbrenner at his best and worst, destroying those who got in his way, but just as capable of under-the-radar acts of kindness.

Back in 1975, Steinbrenner caught a young Puerto Rican kid spray-painting graffiti on the Stadium’s walls. He grabbed the boy and brought him to the police holding cell underneath the ballpark. But at the last moment Steinbrenner had a change of heart; he took the culprit to the Yankee clubhouse and shoved him into Martin’s office.

“Teach him something,” Steinbrenner barked at the manager, an edict that served as the starter’s gun on Ray Negron’s life. From bat boy to video archivist to special assistant to Martin himself, Negron climbed the ladder of the Yankee family. Today he is a member of the team’s community outreach program, as well as the author of four children’s books.

Negron was in tears when reached by telephone Tuesday morning. “I just couldn’t prepare myself for this,” he said, despite Steinbrenner’s advanced age and declining health.

The owner stopped showing up at the ballpark by mid-decade, and even when he did, the phalanx of security personnel made it impossible to actually speak to him. Steinbrenner was shielded for good reason: the old Boss was gone, replaced by a man who drifted in and out of lucidity, often crying for no apparent reason, barely able to finish a thought.

His sons assumed full control of the team and by doing so, ushered in an era of calm to the business operations. There was no need to worry about an angry outburst from Tampa anymore: Hank and Hal didn’t work that way. No one had to fear getting fired over a losing streak, or for ordering the wrong sandwich, which was the crime of one of George’s secretaries (she was brought back the very next day).

By the time George had receded, the Yankees had long since become a monolith, as big as Microsoft, it seemed. Steinbrenner bought the Yankees for just $8.8 million in 1973, and by last year they were worth $1 billion, according to Forbes.

The pressing question, of course, is whether Hank and Hal will remain emotionally attached to the Yankees. The temptation to sell the team’s controlling interest to a Wall Street giant like Goldman Sachs will be powerful.

No one dared address that issue while the elder Steinbrenner was still alive. This was his life, his passion – nothing else mattered except putting his team in first place. Other owners hated him for it, and, don’t let them kid you, Bud Selig railed against Steinbrenner’s excesses.

But in the end, The Boss turned the Yankees into a tonic for the entire sport. The power and fury of his ownership will never be duplicated.



Hard-driving Boss made a huge impact

Yankees' longtime owner learned his demanding nature from his late father


By Buster Olney
ESPN The Magazine
http://espn.go.com/
July 13, 2010

Henry Steinbrenner, father to George Steinbrenner, was a hard man to please and he was tough on his son. After news broke that George Steinbrenner, then 42 years old, had worked out a purchase of the New York Yankees, Henry Steinbrenner was quoted in a local newspaper as saying that it was about time George had done something right.

During a subsequent spring training game, father and son sat together and George chatted on and on about something going on in the game; others around them thought George was just showing off for his father. And Henry Steinbrenner turned and told George -- a grown man -- to shut up, in front of his employees.


George Steinbrenner was the owner of the Yankees for 37 years.

Henry Steinbrenner died in 1983. Twenty-seven years later, George Steinbrenner followed him, on July 13, 2010, at the age of 80 -- inarguably the most famous owner in the history of professional sports, and a man who transcended baseball. George Steinbrenner hosted "Saturday Night Live," inspired a recurring character on "Seinfeld," the most popular sitcom at the time, and his reputation as an impossible-to-please boss would inspire reality television that extended from chefs to designers to Donald Trump, who points a finger and jabs at employees with the words Steinbrenner made famous: "You're fired!"

Steinbrenner's attitude, shaped by his demanding father, was distinctly American. Finishing second was unacceptable. Not only did he want to succeed, he wanted to win with flair; he wanted to dominate, with the best and the brightest players and the biggest stars. The Yankees had a good team in 1975 and he fired the manager, inspired to do so by how he thought the best Broadway shows should operate. He pursued the first significant free agents, from Catfish Hunter to Reggie Jackson to Goose Gossage.

In the mid-80s, he was despised by baseball fans, by some of his own players and by some columnists for the way he conducted his daily business. But after Steinbrenner returned from his second suspension from baseball and the Yankees began their dynasty of 1996-2001, there was a transformation in how the fans and players felt about him. His brash style -- more refined in his later years as owner -- mattered less, and his competitiveness became a respected trait rather than something reviled. Fans called to him at the stadium, memorably, in one of the last years he controlled the team, and Steinbrenner broke down, deeply touched. His drive to win became something loved by his players. Derek Jeter and Roger Clemens called him "Mr. Steinbrenner," and Paul O'Neill and David Cone referred to him as George, with affection.

And he loved his players, and loved their approval. As a boy, he had gone to Union Station in Cleveland when the Yankees came to town, and the image of Joe DiMaggio's luggage was as dear to him as the moment he introduced DiMaggio to Henry Steinbrenner. He controlled the players, he bought and sold them, but they validated him. On a night when the Yankees won a playoff series during the O'Neill-Tino Martinez dynasty, Jeter had snuck up behind Steinbrenner as The Boss talked to some reporters and Jeter mentioned that somebody's hair was just too dry -- and as Jeter poured champagne onto Steinbrenner's head, the Boss giggled, in the way that he might have as a child.

He could be a brutal boss -- a man of small, petty and demeaning acts -- and he also was a man of extraordinary charity. He doled out college scholarships the way others doled out boxes of chocolates, and he honored and included military veterans every chance he could. He screamed at employees, who sometimes thought he was unnecessarily demeaning and ultimately correct in his demands.

When he was about to arrive at Yankee Stadium, somebody would send out an e-mail -- a warning, really -- and everybody would be on their best behavior, making sure any bit of trash that might set him off might be picked up, that the hallways of Yankee Stadium were clean, that everybody would appear to be doing what they were supposed to be doing. As a boss, he was much like Henry Steinbrenner was as a father -- tough and impossible to satisfy.

But George Steinbrenner, as The Boss, accomplished far more than what Henry Steinbrenner ever would have expected from his son. Today might have been a day when Henry Steinbrenner would have felt enormous pride in the impact that George has had, in sports and beyond.

Buster Olney is a senior writer for ESPN The Magazine. He updates his Insider blog each morning on ESPN.com.


As Yankees owner, Steinbrenner was a bridge to baseball's future

Dave Zirin > VIEWPOINT
http://sportsillustrated.cnn.com/
July 13, 2010

With the death of George Steinbrenner, we will undoubtedly hear endless stories about the imperious nature of the man who called himself The Boss. He was in the words of one writer, "every worker's nightmare, the satanic CEO, a fanatically controlling overlord who borrows his warmed-over rhetoric from Vince Lombardi and his managerial style from Stalin." One of Steinbrenner's favorite lines was, "I don't get heart attacks. I give them."

There was another side to this bombastic man as well: a side that even his detractors acknowledge was always there. When I was 11 years old, the legendary columnist from the New York Daily News and later the Post, Dick Young passed away. Young wore his prejudices on his sleeve, and wrote in a pugnacious style that made you gnash your teeth.

It was announced in the morning paper that the service would be open to the public. I couldn't help but notice that the Manhattan-based funeral home was a mere 10-minute bus ride from my house. Like any normal 12-year-old in New York City, I dressed up in a blue blazer and tie and went to Young's funeral. Everyone from the New York sports scene was present, from St. John's basketball coach Lou Carnesecca to the local sports anchors, perhaps straight from the television stations, the pancake makeup still streaked on their cheeks. I was out of my element. Also for an open service, there were no fans there that I saw, and certainly no unaccompanied minors, both of which made people's stares feel like daggers and the room's soft recessed lighting feel like a spotlight.

As I shuffled my feet, feeling more like a voyeur than a mourner, unsure whether I should make a break for the exit, a meaty hand clamped on my shoulder and started to rub the back of the head. "This guy's here. Now we can get started," he said as he guided me inside. I looked up and it was George Steinbrenner. He then pushed me inside roughly and turned his back to me, resuming his conversation with a big smile and a laugh. Several people then asked me, "Who are you?" I was more than grateful. Steinbrenner was doing what he told sportswriter Ira Berkow he loved most: "Inflicting some joy." As the late sports writer Dick Schaap noted, "that is a rather bizarre phrase: to inflict joy." But that day, upon me, he inflicted a little bit of mercy, if not joy.

It's remarkable how seamlessly this story fits with the Steinbrenner people remember: the kind of guy who would reach out to an awkward kid like some kind of Daddy Warbucks, and then shove him inside. He was a part of that last group of the paternalistic owners, the people who felt like it was their duty in ownership to plow profits back into the team, creating a brand that could change the way a city saw itself.

But before we wax nostalgic, we should remember that Steinbrenner, while being a bridge to the past with his larger than life personality, was also a bridge to the future. This was the kind of man who was the model for owners from coast to coast on how to hold cities hostage for an endless flow of municipal funds. He was the kind of man who demanded costly stadium renovations in the 1970s, when the city was already enduring a fiscal nightmare. He claimed that he needed just $48 million to bring the stadium up to code. It ended up, according to Baseball Statistics, costing $160 million. He periodically threatened to move the Bronx Bombers to New Jersey, Connecticut, and most jarringly, next to Manhattan's West Side highway. He hired a 21-year-old clubhouse gofer with gambling debts by the name of Howie Spira and paid him $40,000 to dig up dirt on Yankees star slugger Dave Winfield.

Steinbrenner justified all his misdeeds by saying, "The reason baseball has its problems is that owners weren't involved 20 years ago. ... I'm an involved owner. I'm like Archie Bunker. I get mad as hell when we blow one." But Archie Bunker never was known as anyone's Boss. He never fired secretaries by the carload. He felt tossed around by a world changing too fast, in his mind, for its own good. George Steinbrenner created that world. Now, we live with the results.

If anyone ever seemed too big for New York, for better and certainly for worse, it was this man. They will say that his death signals the end of an era. But his life signaled the beginning of one.

New NCAA 68-team tournament format could have been worse

By John Feinstein
The Washington Post
Tuesday, July 13, 2010; D04
http://www.washingtonpost.com

There's a very old joke about a funeral. The rabbi stands in front of the congregation and says, "I know you all have something you want to say about our dear departed friend. So instead of a eulogy, I'd like you each to stand up and tell us what you loved best about him."

Complete silence.

"Don't be shy," the rabbi says. "I know this is hard. Who's going to go first?"

More silence.

Finally, the rabbi says, "Okay, I'm going to get this started. You, Adam, in the first row, you start us off."

Adam reluctantly gets to his feet, shrugs and says, "His brother was worse."

That joke came to mind Monday when the NCAA men's basketball committee finally got around to revealing how the new and un-improved 68-team tournament will work next March.

It could have been worse.

Of course, it could have been a lot better.

And because the NCAA is the NCAA, we still don't know all the details. One can only hope that by Selection Sunday, the committee will figure out exactly where it is going to send teams to begin the tournament.

Here are the basics:

-- The four play-in games will be called first-round games. This is so NCAA and means that no fewer than 60 teams -- that has to be a record for any event, right? -- will have "byes" into the second round.

-- The last four automatic-bid teams in the field will play one another for the last two No. 16 seeds.

-- The last four at-large teams into the field will play one another for two spots somewhere in the field. The committee, which loves to be as vague as it can be at all times, said Monday that two teams could (in theory) play for a No. 10 seed; two others could play for a No. 12 seed. The release didn't mention a No. 11 or a No. 13 but presumably that could also happen. The four teams might be sent to four separate regions or, again in theory, two or three could be placed in the same region.

-- The games will be played over two nights, presumably Tuesday and Wednesday. At least that appears to be the case because the NCAA is claiming all four games will be televised in prime time on something called TruTV, which is owned by new television co-partner, Turner. Apparently neither Turner nor TBS wanted their airwaves darkened by No. 16 seeds, and the always politically correct committee wasn't going to put the 16s on TruTV and the big conference teams on Turner or TBS. So, everyone goes to TruTV. Call your cable provider to find out exactly what the heck that is.

Here's what still hasn't been explained: where the games will be. If they're going to be played over two nights, they almost certainly have to be at what are now being called, "second- and third-round" sites -- one of them being Verizon Center next March. No doubt building availability may still be at issue, as is building size. The NCAA likely doesn't want single play-in games being played in a 20,000-seat building such as Verizon Center. An alternative might be finding smaller buildings in the same city or nearby. In Washington, for example, a play-in game (sorry, NCAA, that's what these will be called here, now and forever) could be played at George Mason's Patriot Center, which seats about 10,000.

Dayton, which hosted the one play-in game the past 10 years, is probably out of the picture because with the two-night format, teams will have only one day off before they play again. Making that one day a travel day doesn't seem to make sense, especially if a team has to travel to the West Coast. If they play the game in the same city, the players can sleep in the next day, go through the practice day with the other seven teams and play on either Thursday or Friday.

Sound complicated? It is. That's because what makes sense is a 64-team tournament, with four 16-team brackets. But the NCAA is all about making an extra buck, even when that means making simple things complicated in an effort to satisfy TV partners.

Actually, to be completely fair, TV partners might have been all that prevented this from being a complete travesty in this case. If not for TV, there's no doubt all four of these play-in games would involve the last eight automatic bid teams in the field (think: champions of leagues such as the Mid-Eastern Athletic Conference, Sun Belt, Ohio Valley) because the committee usually does everything it can to help the big conference out. But because TV wants at least one decent game a night -- you can bet the automatic bid teams will play the early game both days -- the committee compromised and will make four at-large teams play in the "first" round.

The bracket won't be drawn for nine months, but one already can hear the seventh-place coaches in the ACC, Big East and Big Ten screaming: "I'd love to see how the [choose one] Mid-Eastern Athletic Conference, Patriot League, Southwestern Athletic Conference, Big South, Southern Conference champion would do in our league. You think they could finish above .500? Typical NCAA, being politically correct and caving to the media."

Of course that same coach wouldn't be caught dead playing the best team in any of those leagues anywhere during the regular season. That coach needs to shut up and be glad his team isn't going to the NIT, which is probably where it deserves to go.

The bottom line: We're all grateful that we aren't talking about a 96- team format for next year. No doubt, somewhere down the road in a few years, we will be. That's one reason the NCAA is using this silly "first round" terminology -- so people will get used to saying it and to discussing which teams will be getting byes. That number is going to increase over the next few years.

The committee also made a big deal in its release about the fact that, "for the first time," it would reveal the last at-large team into the field. Imagine that: a little tiny bit of (forced) transparency.

Oh, one last thing for those of you scoring at home: The NCAA release said nothing about the fact that the "student-athletes" from four schools, not just one, will miss an entire week of class to play in the first and second rounds of the tournament.

It's a minor point -- but worth making only because it's true and the committee doesn't want you to even think about it. After all, as Texas-San Antonio Athletic Director and committee member Lynn Hickey explained to a group of writers at this year's Final Four, "Everything we do is for the student-athletes."

Sure. And it's been a breezy summer in Washington.

That's where we are with the NCAA now: taking solace in the fact that it could have been worse.

For more from the author, visit his blog at http://www.feinsteinonthebrink.com.

The 'Warrior Monk'

By RALPH PETERS
New York Post
http://www.nypost.com
July 13, 2010

Nominated last week to replace Gen. David Petraeus as the head of the US Central Command, the Marine Corps' Gen. Jim Mattis may be the finest four-star on duty in any service today.

He's certainly the humblest. And maybe the smartest -- but he'll let you figure that out for yourself.

Mattis: May be finest four-star on active duty.

If confirmed, Mattis will team with Petraeus on AfPak, but he'll also be responsible for the vast surrounding region. He won't micromanage Petraeus. Instead, he'll support his nominal subordinate every way he can. He'll build the frame, letting Petraeus paint the Afghan canvas.

But Mattis won't be shy about making his views known behind closed doors, either.

If we gain a measure of success in Afghanistan, he'd be content to give Petraeus the glory. If things go south, though, Mattis would shoulder his share of the blame. He's that kind of guy.

Grunts respect Petraeus. But they love Jim Mattis.

His nickname among Marines is the "Warrior Monk" -- because he's dedicated his life to the Corps.

Mattis not only commanded at all levels, but fought in Desert Storm, Operation Enduring Freedom in Afghanistan and Operation Iraqi Freedom. As commander of the 1st Marine Division in Iraq in 2004, he faced the first Fallujah crisis.

In the runup to that battle, Mattis opposed acting in haste, but he saluted and executed the Bush administration's orders. His Marines came within a day of driving al Qaeda and its auxiliaries from the city -- only to be called off short of victory when the White House buckled to political pressure after the media stepped in to rescue the terrorists from the ferocious Marine assault.

It must have been heartbreaking for Mattis, after the sacrifices his Marines had made. But he saluted and marched on.

And Mattis isn't just a gung-ho battlefield leader (one of the last at his rank, it sometimes seems). He's astute at the intricacies of foreign policy. A serious reader, his studies reach far beyond the pop texts that content most officers.

He also has the ability -- rare among senior generals -- to really listen, whether to a colonel or a lance corporal. When he asks questions, they're incisive, not ego-driven. He's independent-minded, endlessly curious, morally and physically courageous -- and unfashionably ethical.

So the left-wing media hate him. Not only is Mattis a fighter in the great Marine tradition, he doesn't pretend he'd rather be running a soup kitchen in San Francisco.

The media have conditioned Army generals to apologize for their profession (when they're not pandering to Islamist terrorists). But lefty journalists will never forgive Mattis for stating, back in 2005, that he enjoys being a Marine.

I sat beside Mattis on a panel in San Diego when he made his "infamous" remarks about taking pleasure in killing the worst of our nation's enemies. I don't think he knew there were reporters present. (It was a closed-door session for Marine and Navy officers.) So he spoke the way authentic warriors do.

He was spanked for it. (Wouldn't want honest generals, would we?) And he won't make that error again. Yet, when his nomination as CENTCOM commander was announced at a Pentagon press session last week, CNN's Barbara Starr was seething.

Uninterested in anything else about this great Marine, she read Mattis' 2005 remarks for the cameras, implying that any Marine who enjoys being a Marine should be kept away from terrorists and children.

Starr got no traction with Defense Secretary Robert Gates or Adm. Mike Mullen (probably the team that got Mattis the job). Yet the incident was revealing, to say the least.

For what it's worth, Mattis didn't seek this appointment. He was set to retire this autumn and "go back to rural Washington and grow onions." But when his president and country called, he stepped up yet again.

Personally, I'd been disappointed a few weeks back when Mattis wasn't selected to replace Gen. Stanley McChrystal in Afghanistan. (President Obama made the politically astute choice of Petraeus.) I would've preferred to have Mattis on the ground fighting, with Petraeus retained at CENTCOM.

Petraeus can fight, but his reputation makes him a useful military diplomat. While Mattis, too, can woo the Grand Wazoo of Upchuckistan, he would've promptly swept away much of the touchy-feely b.s. crippling our Afghan effort. Mattis is less interested in theories than in what actually works.

Still, if this splendid Marine is confirmed, we'll have the finest military team in place to deal with AfPak and the rest of the region (Iran's on Mattis' dance card, too) that we've ever had.

Maybe there's hope.

Monday, July 12, 2010

Harry Potter and Sharia law

Honor killings may not be on the big screen, but a celebrity angle is getting them big coverage

By D.L. Adams
The Washington Times
7:10 p.m., Friday, July 9, 2010
http://www.washingtontimes.com/


Sometimes, only a celebrity angle can get the public to pay attention to what's important. The Harry Potter actress who suddenly became subject to Sharia law may be the source of such a moment when the public pays enough attention to create a sea change in national opinion.

SHEFALI CHOWDHURY as Parvati Patil, DANIEL RADCLIFFE as Harry Potter, RUPERT GRINT as Ron Weasley and AFSHAN AZAD as Padma Patil in Warner Bros. Pictures’ fantasy “Harry Potter and the Goblet of Fire.” Photo: Murray Close

On July 2, CNN reported, "The father and brother of a Harry Potter actress will appear in court later this month in Manchester, England, on charges of threatening to kill the young star." The family is Muslim, and the suspected motives are clear - Afshan Azad, who played Harry's classmate Padma Patil in the popular movies - was dating a Hindu.

Popular publications including Entertainment Weekly, People and US Weekly are all covering this disturbing but not unprecedented case, bringing a horrifying fact of life in Europe and across the world to the attention of people who don't immerse themselves in news and politics.

Though the assault on Miss Azad by her father and brother is in the spotlight, such cases are hardly new. Last year in Ohio, teenager Rifqa Bary ran away, claiming her parents threatened to kill her because she had converted to Christianity. The drama received a blip of press coverage, and she remains a ward of the state. Also last year, in Arizona, a Muslim father murdered his daughter by running over her for being too Western.

One of the most horrific and notorious instance of Islamic "honor killing" in recent memory in the United States occurred in Buffalo, N.Y., in February, 2009. The founder of Bridges TV, a television station whose stated purpose was to show a more tolerant and positive view of Muslims and Islam, beheaded his wife. Muzzammil Hassan murdered her in the facilities of the TV station.

In a 2004 press release, Hassan stated, "Every day on television we are barraged by stories of a Muslim extremist, militant, terrorist, or insurgent, but the stories that are missing are the countless stories of Muslim tolerance, progress, diversity, service and excellence that Bridges TV hopes to tell."

While Miss Azad's case is receiving more attention than most of its predecessors, almost all of the reporting is missing a key component - the Islamic doctrinal basis for these horrific attacks on and murders of females by males within Muslim families for leaving Islam and/or not being "Islamic enough." These attacks are neither accident nor aberration.

According to Islamic doctrine, adherents are in a state of perpetual and universal conflict and war with nonbelievers.

According to "Reliance of the Traveller," the definitive book of Sharia law, leaving Islam (apostasy) requires a death sentence: "When a person who has reached puberty and is sane voluntarily apostasizes from Islam, he deserves to be killed."

Behavior considered "un-Islamic" is also cause for execution, according to Sharia law: "Someone raised among Muslims who denies the obligatoriness of the prayer, zakat, fasting Ramadan, the pilgrimage, or the unlawfulness of wine and adultery, or denies something else upon which there is scholarly consensus and which is known as being of the religion thereby becomes an unbeliever (kafir) and is executed for his unbelief."

Islamic doctrine and law allow murder of family members and non-Muslims (kafirs).

"Reliance of the Traveller" on killing:

"The following are not subject to retaliation: a Muslim for killing a non-Muslim ... a Jewish or Christian subject of the Islamic state for killing an apostate from Islam (because a subject of the state is under its protection, while killing an apostate from Islam is without consequences) ... a father or mother (or their fathers or mothers) for killing their offspring, or offspring's offspring."

The multitudes of Harry Potter fans are likely now to do some reading on the subject of Islam, perhaps researching the doctrine of Islam - Koran, Sira, Hadith or even Sharia law. They will not likely be pleased with what they discover.

The barbaric assault against Miss Azad by her father and brother should be a catalyst for millions of Harry Potter fans across the world who know nothing about Islam to learn about this cruel and oppressive ideology.

The early communist Leon Trotsky famously said, "You may not be interested in war, but war is interested in you." The observation is accurate, as is this modernization: "You may not be interested in Islam, but Islam is interested in you."

D.L. Adams is contributing editor at Family Security Matters and New English Review.

Bob Sheppard, Voice of the Yankees, Dies at 99

By RICHARD GOLDSTEIN
The New York Times
http://www.nytimes.com
July 11, 2010



Bill Kostroun/Associated Press

Bob Sheppard, the Yankees' longtime announcer, was honored May 7, 2000, at Yankee Stadium.

Bob Sheppard, whose elegant intonation as the public-address announcer at Yankee Stadium for more than half a century personified the image of Yankees grandeur, died Sunday at his home in Baldwin, on Long Island. He was 99.

His death was confirmed by his son Paul.

From the last days of DiMaggio through the primes of Mantle, Berra, Jackson and Jeter, Sheppard’s precise, resonant, even Olympian elocution — he was sometimes called the Voice of God — greeted Yankees fans with the words, “Good afternoon, ladies and gentlemen, and welcome to Yankee Stadium.”

“The Yankees and Bob Sheppard were a marriage made in heaven,” said Paul Sheppard, a 71-year-old financial adviser. “I know St. Peter will now recruit him. If you’re lucky enough to go to heaven, you’ll be greeted by a voice, saying: ‘Good afternoon, ladies and gentlemen. Welcome to heaven!’ ”

In an era of blaring stadium music, of public-address announcers styling themselves as entertainers and cheerleaders, Sheppard, a man with a passion for poetry and Shakespeare, shunned hyperbole.

“A public-address announcer should be clear, concise, correct,” he said. “He should not be colorful, cute or comic.”

Sheppard was also the public-address announcer for the football Giants from 1956 through 2005, first at Yankee Stadium and then at Giants Stadium in the New Jersey Meadowlands.

He signed a new two-year contract with the Yankees in March 2008 but was not at the stadium that season, when he was recovering from illness that brought a severe weight loss. His longtime backup, Jim Hall, replaced him.

Sheppard did not feel strong enough to attend the ceremony marking the final game at the old Yankee Stadium on Sept. 21, 2008, but he announced the Yankees’ starting lineup that night in a tape recording. His recorded voice still introduces Derek Jeter at the plate, a touch the Yankees’ captain requested to honor Sheppard.

“He’s as much a part of this organization as any player,” Jeter said Sunday. “Even though the players change year in and year out, he was the one constant at Yankee Stadium. He was part of the experience.” Sheppard was the chairman of the speech department at John Adams High School in Queens and an adjunct professor of speech at St. John’s University while becoming a New York institution as a public-address announcer.

“I don’t change my pattern,” he once said. “I speak at Yankee Stadium the same way I do in a classroom, a saloon or reading the Gospel at Mass at St. Christopher’s.”

On May 7, 2000, Bob Sheppard Day at Yankee Stadium, the Yankees outfielder Paul O’Neill reflected on Sheppard’s aura.

“It’s the organ at church,” O’Neill told The Record of Hackensack, N.J. “Certain sounds and certain voices just belong in places. Obviously, his voice and Yankee Stadium have become one.”

Robert Leo Sheppard, who was born on Oct. 20, 1910, gained a passion for his calling while growing up in Queens.

“My father, Charles, and my mother, Eileen, each enjoyed poetry and music and public speaking,” Sheppard told Maury Allen in “Baseball: The Lives Behind the Seams.” “They were very precise in how they spoke,” he said. “They measured words, pronounced everything carefully and instilled a love of language in me by how they respected proper pronunciation.”

Sheppard played first base at St. John’s Prep and at St. John’s University, where he was also a quarterback.

While he was in high school, two Vincentian priests put him on the path toward a career in speech education.

“The combination there of one, the fiery orator, and the other, the semantic craftsman, probably presented a blending I wanted to imitate,” he once recalled.

Sheppard earned a bachelor’s degree in English and speech at St. John’s and a master’s degree in speech from Columbia before serving as a Navy officer during World War II. He became a speech teacher at John Adams upon his return and served as the public-address announcer for the Brooklyn Dodgers and the New York Yankees of the All-America Football Conference.

He was hired by the baseball Yankees in 1951, and soon fans were hearing Sheppard’s pronunciation of “Joe Di-Mah-ggio.”

“I take great pride in how the names are pronounced,” Sheppard said. He seldom entered the clubhouses, but made certain to check directly with a visiting player if he had any doubt on the correct way to pronounce his name.

“Mick-ey Man-tle” was a favorite of his, but as Sheppard once told The Associated Press: “Anglo-Saxon names are not very euphonious. What can I do with Steve Sax? What can I do with Mickey Klutts?”

He enjoyed announcing the name of the Japanese pitcher Shigetoshi Hasegawa and the names of Latin players, particularly pitcher Salome Barojas and infielder Jose Valdivielso.

Sheppard feared he would trip over his pronunciation of Wayne Terwilliger, an infielder who played at Yankee Stadium with the Washington Senators and Kansas City Athletics in the 1950s. “I worried that I would say ‘Ter-wigg-ler’ but I never did,” he recalled.

But there was at least one flub.

When the football Giants played their first game at the Meadowlands, against the Dallas Cowboys in October 1976, Sheppard told the crowd: “Welcome to Yankee Stadium.”

On Bob Sheppard Day — during his 50th year with the Yankees — he was honored at a home-plate ceremony in which Walter Cronkite read the inscription on the plaque being unveiled for Monument Park behind the left-field fence. It stated in part that Sheppard “has announced the names of hundreds of players — both unfamiliar and legendary — with equal divine reverence.”

George Steinbrenner, the principal owner of the Yankees, said in a statement: “For over a half-century, fans were thrilled to hear his unforgettable voice and players were thrilled to hear his majestic enunciation of their names. Bob Sheppard was a great member of the Yankees family and his death leaves a lasting silence.”

He leaves behind his second wife, Mary; two sons, Paul and Chris; and two daughters, Barbara and Mary. His first wife, Margaret, the mother of all four children, died in 1959. He also leaves four grandchildren.

Sheppard had his imitators, most notably the ESPN broadcaster Jon Miller.

“One day when my wife and I were down in St. Thomas, we went into a restaurant,” Sheppard told The Village Voice in 2002. “I told the waitress, ‘I’ll have the No. 1. Scrambled eggs, buttered toast and black coffee. No. 1.’ My wife looked at me and said. ‘You sound like Jon Miller’s imitation.’ I wasn’t conscious of the fact that I was ordering the same way I’d introduce Billy Martin.”


Ben Shpigel contributed reporting from Seattle and Joseph Berger from New York.



Simple Intonation, a Lasting Impression

By RICHARD SANDOMIR
The New York Times
http://www.nytimes.com
July 11, 2010

Ten summers ago, when Bob Sheppard was not yet 90, I stepped into his tiny booth at Yankee Stadium and asked him for his first memory of being at the ballpark.

He looked up from the book he was reading — he read before games and between batters — and asked in that amazing voice of his: “Would you like my memory of the first game I attended or my memory of my first game as the public-address announcer?”

“Both,” I said. He could have narrated his first jaunt for a hot dog for all I cared.


N.Y. Daily News Archive, via Getty Images

The announcer Bob Sheppard at Yankee Stadium in 1972

His first reminiscence placed his visit in the early 1920s, perhaps when he was in his early teens. It was a general memory, not a box score recitation, but he offered it with excitement and a touch of historical perspective.

“I was a young lad sitting in right field in the bleachers and watched people like Babe Ruth and Lou Gehrig, and a fellow named Williams, not Ted Williams, but Ken Williams, of the St. Louis Browns,” he said, with his characteristic precision and slow cadence. “My idol was George Sisler, who was a perfect first baseman in my mind.”

Then came his memory from 1951, his first as the Yankees public-address announcer.

“The Yankees lineup had Johnny Mize at first, Jerry Coleman at second, Phil Rizzuto at short, Billy Johnson at third,” he said. “Jackie Jensen played left, DiMaggio played center and Mickey Mantle played right. Yogi Berra was the catcher and a fellow named Vic Raschi was the pitcher, and we beat the Boston Red Sox. And five of those starting nine are in the Hall of Fame.”

No doubt that the story of his rookie game, really not much more than a defensive alignment, was frequently requested by those who met him, much the way fans asked Sinatra to sing “My Way.” But he delivered his lines as if he were telling them for the first time.

Sheppard’s death Sunday is a reminder of how much he transcended his role as a public-address announcer. How many famous public-address announcers are there? How many are renowned like Sheppard? How many prompted imitations the way Sheppard did?

His fame rivaled, and even exceeded, that of many of the men who occupied the broadcast booth for the Yankees. That is not an insult, it’s just a fact. He did not have to speak for three hours to become famous. He said very little but he became known as the Voice of God, whose intonations sent chills through players and fans. If the Yankees were arrogant, Sheppard was elegant. In the Yankees’ down years, he offered up his class.

Does anyone recall who preceded him?

Sheppard’s role was a simple one: he greeted us, announced the lineups, told us who was at the plate and who was pitching, and told us to drive home safely.

He once joked that all he had was longevity, but longevity, mixed with his clarity, restraint from any silliness and that marvelous voice made him a star.

He was not inspired to a speech career by any sports voice, but by two Vincentian priests, one a “fiery orator,” and the other a “semantic craftsman,” he once said.

The Sheppard style was founded on several principles.

He thought that a man’s name was a personal treasure. So he lingered over names. He respected them. He especially loved the mellifluous ones (“Mick-ey Man-tle”) and the foreign ones (“Al-va-ro Es-pi-no-za”). He once fretted in the 1950s that he would mispronounce infielder Wayne Terwilliger’s name as “Ter-wigg-ler.” But he did not err.

Two, he thought that people spoke too quickly. So he spoke slowly. His cadence at home, in his high school and college speech classes, at a local bar or at Mass was the same as it was when he was announcing at the stadium. Ve-ry de-li-ber-ate-ly.

Three, he felt that his role required him to be “be clear, concise, correct.”

Sheppard’s passing feels like the loss of a significant representative of civility in the world. That quality, in addition to his remarkable voice, will be greatly missed.



A Voice That Stayed Above the Fray

By GEORGE VECSEY
The New York Times
http://www.nytimes.com
July 11, 2010

JOHANNESBURG — Bob Sheppard liked the air of mystery about his age. It was funny watching such a solid person, based in faith and education, grow a trifle coy about the year of his birth. But he was always specific about being born on Oct. 20.

It was also Mickey Mantle’s birthday, but Bob did not live off that coincidence of two Yankees legends sharing a birthday. Bob had an ego, liked being the voice echoing around Yankee Stadium, saying, “No. 2, Derek Jee-tah,” but he did not need to be around the players.


Don Emmert/Agence France-Presse — Getty Images

Bob Sheppard, the voice of the New York Yankees, held up his microphone which he presented to the National Baseball Hall of Fame in July 2000.

They did what they did out on the field, and he did what he did up on the booth. Here’s a little secret: between plays, Bob read books, hardcover books from home or the library. He was a voice, not a ballpark celebrity.

How strange it is to be missing a chance to see Nelson Mandela, 91, circle the field in a golf cart in order to write about another man I admired, but from up close. Bob was more than 99 when he died Sunday after the illnesses that diminished him in the past few years. He was vague about them, too.

I’ve known him since 1960, when I covered my first Yankee games as a young reporter. That summer, my wife and I, just married, would see him at Jones Beach strolling along the tide line with his wife, Mary. They were newlyweds, too; Bob’s first wife had died, but I did not know that at the time. They were a handsome couple. I reminded him of that recently, how I used to see him at the beach. He liked that, the memory of being a former St. John’s quarterback, tall, young and strolling the beach with his new wife.

In recent years, when he was temporarily not going to Yankee Stadium — but definitely not retired — I would go see him; he was a little weaker each time. Recently I called, and he slowly let me know that he had fallen and was not going downstairs these days.

He was as strong in his Roman Catholic faith as anybody I knew. He hated to admit he could no longer serve as a lector. His faith never wavered in the trying days. His daughter is a nun. He referred to Mary as “my archangel,” meaning she saved his life, day by day.

Better to think of him younger, wearing tweedy professorial jackets, a note of class in the press dining room. He had his own little table in the corner at the old Yankee Stadium. The conversation went round and round, rarely about baseball. He did not need the reflected glory. The only time I would see him on the field was when he checked out the pronunciation of a new player’s name. In an earlier time, when baseball was not yet comfortable with Latino players, he made sure to give Minnie Miñoso his tilde. Later, he delighted in getting the pronunciation right for Shigetoshi Hasegawa.

But he was not a fan. That is what people missed about Bob. He did not have gossip about players, insights into managers, theories about strategy. In the past few years, I would casually ask if he followed the Yankees or their broadcasters or even how his successors were doing with their own echoes in Yankee Stadium, and he seemed a bit vague.

The last time I called, I noted that he had a special birthday coming up. It was the first time he had ever allowed me to refer, however obliquely, to his actual age. I don’t think he was anticipating a 100th birthday celebration. He was as secure about that as he was about everything else.


Voice of late Yankees PA announcer Bob Sheppard carried across Yankee Stadium through multiple eras

By Mike Lupica
The Daily News
http://www.nydailynews.com
Monday, July 12th 2010, 7:47 AM


Simmons/News

Bob Sheppard, the New York Yankees' public address announcer for 57 years, sits in the booth at Yankee Stadium in 2003. Sheppard died Sunday at the age of 99.



The other voices of the Yankees, the voices on radio and then television with whom we all grew up, they came and went. Always though, in all the important ways, there was Bob Sheppard, above it all at Yankee Stadium.

"The modern PA announcers like to shout," he said outside his booth one night at the old Stadium, "to do everything and anything to draw attention to themselves. That has never been my style."

But that is why Sheppard became the height of style. That is why he did draw so much attention to himself over nearly 60 years as the voice of the Yankees over the public-address system, what Reggie Jackson first called "the voice of God."

Bob Sheppard's voice carried.

"The voice wasn't just real," Reggie said to me Sunday afternoon. "It was noble."

It isn't just PA announcers who try to draw attention to themselves now in the boom-box culture of modern sports, where a trip to a ballpark, including the new Yankee Stadium, to any football stadium or arena, makes you feel as if you are trapped inside a speaker at some video arcade. It is everyone yelling for us to pay attention to them. To see them. Hear them.

Then there was Mr. Sheppard of the Yankees, who died Sunday at the age of 99, more than 59 years after he first began speaking into his microphone in April 1951, at the beginning of Mickey Mantle's first season with the Yankees and Joe DiMaggio's last.

From the start, his voice was like Shakespeare in a park. Just a ballpark. He was immediately part of this golden age of baseball, not just at the Stadium, but in New York. The Dodgers were still in Brooklyn and the Giants were at the Polo Grounds, and during the '50s, there would be just one World Series - in 1959, the Los Angeles Dodgers (by then) against the Chicago White Sox - that did not include at least one New York City team. Sometimes two.

So a voice that really did seem as suited to a Broadway stage as the great baseball stage in the Bronx became permanently attached to the fine memories of that time. Bob Sheppard's voice, and his presence. And his permanence.

There was something else: Hearing him was not hearing the game on radio or television. Bob Sheppard meant you were inside. You were at the game. At Yankee Stadium.

He came in with Mantle and was there when George Steinbrenner brought Reggie Jackson to town, and the Yankees won their first World Series since the early '60s.

Finally Sheppard was still up in his booth, still above it all, when Joe Torre and Derek Jeter and Mo Rivera showed up to put the Yankees back on top, win them four World Series in five years. So much had changed by then, not just in baseball, and not just in New York. Sports had changed. Sheppard had not. Everybody had an act except this one elegant man. Short for gentleman.

He still talked with great pride about being clear, about being concise, about being correct, the same things he had taught in his speech classes, first at John Adams High School and later at St. John's. It is no coincidence that Jeter eventually asked that Sheppard's voice be put on tape, so that even after Bob Sheppard was too frail to keep coming to work - his last game was in 2007 - he could still introduce Jeter when it was time for Jeter to step into the batter's box.

Class introducing class.

There will be a ceremony at the new Stadium when the season resumes after the All-Star break, and Sheppard will be properly honored by the Yankees one last time. The only thing wrong with all this, of course, is that Sheppard himself will not be the one introducing it all, bringing us to the moment and taking us back in time, to when Mantle was young and DiMaggio was old, when Scooter was still at short and Yogi was behind the plate and the day at the ballpark, or night, would begin and end with his voice.

All over the radio, and television, you heard Bob Sheppard Sunday. Only you didn't need the audio, didn't need the tape. All you had to do was close your eyes. Think about the first time you were inside the old Stadium. Try seeing that place, even in memory, without hearing him. The voice carried.



Bob Sheppard, New York Yankees legend and voice of the Bronx Bombers, has died at 99

By Bill Madden
The Daily News
http://www.nydailynews.com
Sunday, July 11th 2010, 10:49 AM


Jacobson/AP

Bob Sheppard, who had a streak of 121 consecutive postseason games as the Stadium public address announcer, sits in the dugout before Game 4 of the ALDS against the Los Angeles Angels in 2005.


The "Voice of God" is silenced.

Bob Sheppard, the beloved Yankee Stadium public address announcer for 57 years, died Sunday at his home in Baldwin, L.I., his wife, Mary, by his side. He was 99.

Reggie Jackson is credited with aptly dubbing Sheppard "the Voice of God" for his introduction of players in a resonant baritone, delivered with perfect elocution at Yankee Stadium from April 17, 1951, until 2007, when Sheppard was felled by a bronchial infection, fatigue and weight loss that caused him to break his streak of 121 consecutive postseason games as the Stadium public address announcer. His hand-picked assistant and periodic sub, Jim Hall, succeeded him that season but when the Yankees moved to the new Yankee Stadium in 2009, Paul Olden was hired for the P.A. duties.

During his first 50 years behind the Stadium mike, Sheppard missed only five games, all of them for family commitments, and he also did P.A. for the football Giants from 1956 (when they played at Yankee Stadium) to 2005. On May 7, 2000, Sheppard was honored by the Yankees with the 17th plaque in the Stadium's Monument Park, on which is inscribed: "His clear, concise and correct vocal style has announced the names of hundreds of players - both unfamiliar and legendary - with equal divine reverence, making him as synonymous with Yankee Stadium as its copper façade and Monument Park."

Born Oct. 12, 1910, Sheppard was a speech major at St. John's and a lefthanded quarterback on the football team from 1928-31. He was teaching speech and earning $25 a week when he was hired by the Brooklyn Dodgers of the long-defunct professional All-American Football Conference, who played their games at Ebbets Field. When the Dodgers folded he moved to the Yankees in the same league where, at Yankee Stadium, Dan Topping, owner of the baseball Yankees, liked his work and hired him in 1951 to replace Arthur (Red) Patterson, who had been doubling up as the team's promotions director and P.A. announcer.

Through the years, Sheppard's signature introductions - "Good afternoon, ladies and gentlemen, welcome ... to Yankee Stadium, here are the lineups: Batting first, num-buh eighteen, Johnny Da-mon, num-buh 18. Batting second, num-buh two, De-rek Jet-uh, num-buh two ... " - became part of Stadium lore. (When the Yankees moved to Shea Stadium during the renovation of Yankee Stadium in 1974-75, Sheppard was careful to alter his greeting to: "The Yankees welcome you to Shea Stadium.") And he had an equally classic "exit" announcement - "Thank you for coming and arrive home safely" - that, in the early '80s was replaced by what he called "an even bigger voice" in Frank Sinatra, singing "New York, New York."


On May 7, 2000, Sheppard is honored by the Yankees with the 17th plaque in Yankee Stadium's Monument Park.

So admired and revered by the players was Sheppard that after he took ill Jeter asked that a recording of Sheppard introducing him be used whenever he came to bat. And Jackson often recalled the time in Boston when, as he approached the plate for his first at-bat, he was startled to hear the voice of Sheppard come over the Fenway Park P.A. system: "Now batting, num-buh 44, Reg-gie Jack-son." Sheppard, it seemed, had been a visitor in the Fenway Park press box and was asked if he would like to do a cameo intro.

And he was probably the only Yankee employee in the more than 35 years of George Steinbrenner's often tyrannical ownership who was never threatened with being fired by The Boss. That's not to say, however, he didn't come close. In a game against the Toronto Blue Jays in September 1985, Steinbrenner became infuriated after a guest singer named Mary O'Dowd butchered the Canadian national anthem, and the next day arranged for an apology to be announced to the citizens of Canada. Sheppard was having dinner in the Stadium press room when the call came down from Steinbrenner's secretary that his presence was required in the owner's office upstairs.

"Tell him I'll be up as soon as I finish my dinner," Sheppard said.

When informed of Sheppard's response, Steinbrenner was taken aback.

"Doesn't he know who owns this team?" he bellowed.

About 15 minutes later, Sheppard arrived in Steinbrenner's office, took his seat to the right of the Yankee boss at the big round table, and handed him a piece of paper on which he'd written his own version of the apology. Steinbrenner, who had already drafted a three-page statement, citing the Canadians for, among other things, their help in the U.S. hostage crisis in Iran, perused the one Sheppard had written and said: "Okay, that's fine, but I want to add some other things."

"I don't think that would be a good idea," Sheppard said, to Steinbrenner's further astonishment. "It should be succinct."

"I must say," Sheppard told me one of the last times we talked on the phone, "in all the years with George, he never yelled at me or had a cross word with me or tried to force some announcement on me that I didn't think appropriate."

A few years ago, I asked Sheppard which were his most favorite names to announce.

"Mickey Mantle, for one," he said, "because of the perfect alliteration. A perfect name for a ballplayer, I would say. A nice rhythm to it. On the other hand, we had a second baseman named Steve Sax. There's no rhythm to Steve Sax - two staccato sounds! But if I had to pick just one it would probably be the Japanese pitcher for the Angels, Shi-ge-toe-shee Ha-se-gaw-a! Just wonderful! How much fun it was to work my tongue around that one!"


Sheppard later sent me a poem entitled: "A Poetic Tribute to Baseball's Hispanic Names" in which he penned:

"There are certain names that go over well

Like Pena, Ramos and Carrasquel

With liquid sounds so panoramic

And strangely they are all Hispanic

Aurelio, Hipolito, Cecilio, Domingo

Have a lovelier sound than American lingo

What other name could I tell so musically as Valdivielso?

And no other native name could ever show us the splendor

Of Salome Barojas!"

Though he was the standard-bearer for being "clear, concise and correct," Sheppard was nevertheless guilty of an occasional flub through the years, the most notable during a game in 1982 in which Yankee reliever Shane Rawley came in with the bases loaded and promptly gave up a double into the gap in left-center that scored all the runners. Not realizing the pedal to his microphone had accidentally gotten stuck, Sheppard off-handedly said to a visitor in his booth: "Now that's relief pitching!" Moments later, he was mortified upon realizing his words had gone out to everyone in the ballpark. The next day he went down to the clubhouse to personally apologize to Rawley.

Bob Sheppard exuded dignity and gentility. He was a forever good humor man who spoke eloquently about everything and ill of no one. To the best of my knowledge, there were only two things that would bring a frown to his face in conversation: Foul language and questions about his age. Jim Bouton, the iconoclastic Yankee pitcher-turned-author, found out the hard way about the latter. Working as a broadcaster for WCBS-TV years ago, Bouton had arranged for an interview with Sheppard in the press box during a game. With his crew all set up, Bouton said to Sheppard: "Let's start by asking: 'How old are you, Bob?'" to which Sheppard replied tersely: "This interview is over."

It was perfectly understandable that Sheppard, who is survived by his wife, Mary, and four children, took umbrage at such an impertinent question. To him, age was irrelative. It was always his spirit that kept him forever young. And besides, did anyone ever ask how old God was?

A wake will be held Tuesday and Wednesday at the Fullerton Funeral Home, 769 Merrick Rd., Baldwin, L.I., from 2-4 p.m. and 7-9 p.m. each day. The funeral will be held Thursday at 10:45 a.m. at St. Christopher's Church, 11 Gale Ave., Baldwin.

Sunday, July 11, 2010

LeBron James's exit strategy leaves much to ponder

By Michael Wilbon
The Washington Post
Saturday, July 10, 2010; D01
http://www.washingtonpost.com


Now we are left to consider the 360 degrees of fallout, from LeBron's image to owner Dan Gilbert's incivility [1], to the role of television, to the potency of the Miami Heat, to the unrequited love of Cleveland, to the issue of whether the world's best players should be joining each other or beating each other. There's nothing like a spectacle to bring out the crazy in all of us and there's been no spectacle quite like LeBron's decision because damned if it didn't touch just about everything in the culture.

MIAMI - JULY 09: Fans cheer as (L-R) Dwyane Wade #3, Chris Bosh #1 and LeBron James #6 of the Miami Heat are introduced during a welcome party at American Airlines Arena on July 9, 2010 in Miami, Florida. (Photo by Marc Serota/Getty Images)

The initial flashpoints, as anybody surfing the Internet can attest, were ESPN and LeBron's image, and both took a hit. LeBron, for the first time in his career, is being cast -- whether he wants to be or not -- as the villain, and most folks are holding him wholly responsible because he felt the need to do in about 75 minutes what could have been done in two.

His co-conspirator, if you don't particularly like Thursday's drama, is ESPN, which is being roasted for forsaking its role as news organization and going into the reality TV business with LeBron. If being a willing participant indicts me, fine. I will say that making viewers wait for more than 20 minutes before actually hearing LeBron's decision was, at best, cheesy. And LeBron, for the first time that I can remember, seemed shaken, which I more or less expected since he knew he was breaking up with his extended family (Northeast Ohio) on national TV, with the partner having an inkling but hearing the news officially for the very first time.

For all the criticism about the platform and whether LeBron is a narcissist, and how come he couldn't do it quietly and without fanfare like Kevin Durant, fact is more people watched LeBron's decision on ESPN Thursday night than watched him play in any one game of the NBA Finals three years ago against the Spurs. And since when did we as a culture start running away from television, what with everybody and his mamma on some kind of reality TV? Any and every network under the sun would have said "yes" to LeBron and his announcement if asked, and anybody who says otherwise is a liar. As Moses Malone used to say, "That's what bees."

There's no question LeBron's image is taking a hit, but mostly it's because he left Cleveland before winning a championship, prompting a need for police in front of his house in Akron, prompting idiots to burn his jersey [2], prompting the owner of the franchise, Dan Gilbert, to act like a bridegroom left standing embarrassed at the altar.

Gilbert, with his rant, came off like a creep, like a guy whose franchise is worth about $100 million less because LeBron didn't do what he wanted. Clearly, leaving this idiot was the right move. Whatever sympathy I felt for Cleveland in the immediate aftermath of the announcement isn't extended to Gilbert, whose image ought to be taking a lot worse beating than LeBron's.

In a perfect world, LeBron would have met with Gilbert face-to-face in the afternoon, damn the TV surprise, and told him, "Thanks for everything the past seven years. Sorry we didn't win, but I'm leaving because I want to try this thing in Miami. We had more fun than this franchise has ever had and maybe our paths will cross again one day, but I'm going to follow my heart."

Instead, we've got this mess, with an owner acting like a fool instead of a businessman and this great love affair between LeBron James and his home town, which was always such an appealing part of this story, having become the War of the Roses.

To me, since I don't live in Northeast Ohio and do care about basketball, there's a much bigger issue that needs to be moved from the back to front burner: Should you hook up with your rivals or try to beat their brains out?

I'm both old and old school. And I'm entirely influenced by players now mostly retired and in their 40s and 50s who are mortified that LeBron would rather play with Dwyane Wade than try to beat him. One player asked me Thursday night if I could imagine how much worse off the NBA would be if Magic and Larry Bird had tried to join forces instead of remaining apart and going after each other for more than a decade. Suppose Michael Jordan, because his Bulls lost three straight years in the playoffs to the Pistons, had gone to Detroit as a free agent instead of remaining in Chicago and demonstrating championship resolve?

Something my friend Charles Barkley said on NBA TV the other day resonates with every single old-school player I've talked to. "In fairness, if I was 25 I'd try to win it by myself," Barkley said. "Not technically 'by myself,' but I would want to be the guy. LeBron is never going to be the guy."

What Barkley is saying is that you'll never be "the guy" if you're part of an ensemble where one of the guys, Wade, has already led that franchise to a championship. This isn't a big deal in football or baseball, but it is in the culture of professional basketball. It's how men are ultimately judged. Even a guy who as a player was a nobody, Orlando Magic GM Otis Smith, was quoted as saying he was surprised LeBron went to Miami because he thought the league's two-time MVP was "more of a competitor . . . great ones usually stay in one location."

He was talking, of course, about players such as Bill Russell, Magic, Bird, Jordan, Tim Duncan and Kobe Bryant, although some great players such as Shaq and Wilt did make more than one move, Kareem Abdul-Jabbar moved once and Barkley twice. But none of the players who did move went to hook up with a player who was seen more or less as an equal.

But we might be looking at something completely new now, what with the way the 2008 championship Boston Celtics team was put together almost overnight, with trades for Kevin Garnett and Ray Allen bringing them to Boston to join Paul Pierce. Okay, that wasn't orchestrated by the players, which has really annoyed some of the legends, but it was a new way to put together a serious contender. LeBron, Wade and Chris Bosh admit openly they got the idea during their time together playing for Team USA in international competition. The most skeptical folk out there suggest that all this made-for-TV drama was a ruse because the three have forever known they were going to do this, and that the interviews of recent days were a farce.

More than likely, we're seeing a cultural shift in the game because of the way kids play basketball now: on multiple travel teams, many of them through AAU competition. They all know each other these days by the time they're 16, 17 years old. Associations, in this new basketball world, are more important and have deeper roots than teams.

Either way, these three are together now and the next significant appearance they make on television, presumably, will be in uniform. And while at least one of LeBron's sponsors is apparently confused about how to market him now with this new backlash threatening to redefine how people feel about him, chances are overwhelming that once LeBron's on the court playing with Wade and Bosh and not talking about it, people are going to remember why they loved him in the first place and go back to defining him as a basketball player -- everywhere, that is, except Ohio.

[1] http://voices.washingtonpost.com/wizardsinsider/2010/07/cavaliers-owner-dan-gilbert-un.html

[2] http://www.washingtonpost.com/wp-dyn/content/video/2010/07/09/VI2010070901487.html

Obama threatens to follow in FDR's economic missteps

By Amity Shlaes
The Washington Post
Friday, July 9, 2010; A17
http://www.washingtonpost.com/

With unemployment high and the Dow Jones industrial average bumping about, the big debate this summer is how to prevent a double-dip recession resembling that of the late 1930s. Some say Washington should spend more, arguing that government austerity triggered the collapse in 1937 that erased previous gains. Others say that cutting spending now will strengthen the economy generally and preclude dramatic downturns.

President Obama may be about to repeat Franklin D. Roosevelt's mistakes -- but not the ones captured in this narrow discussion.

By fixating on the debt and stimulus plans, Obama and Congress are overlooking challenges to the economy from taxes, employment and the entrepreneurial environment. President Roosevelt's great error was to ignore such factors -- and the result was that sickening double dip.

Taxation is an obvious area the Obama administration ought to reconsider. Income taxes, the dividend tax and capital gains taxes are all set to rise as the Bush tax cuts expire. The Obama administration portrays these increases as necessary for budgetary and social reasons. A society in which the wealthy pay their share, the message goes, has a stronger economy. The administration and congressional Democrats are also striving to ensure that businesses pony up. The carried-interest provision in the tax extender bill seeks to raise rates on gains by private equity and hedge funds. If that were not enough, a so-called enterprise value tax would be levied on partnerships that sought to elude the new high taxes by selling their companies.

Roosevelt, too, pursued the dual purposes of revenue and social good. In 1935 he signed legislation known as the "soak the rich" law. FDR, more radical than Obama in his class hostility, spoke explicitly of the need for "very high taxes." Roosevelt's tax trap was the undistributed-profits tax, which hit businesses that chose not to disgorge their cash as dividends or wages. The idea was to goad companies into action.

The outcome was not what the New Dealers envisioned. Horrified by what they perceived as an existential threat, businesses stopped buying equipment and postponed expansion. They hired lawyers to find ways around the undistributed-profits tax. In May 1938, after months of unemployment rates in the high teens, the Democratic Congress cut back the detested tax. That bill became law without the president's signature.

Then there is labor policy. Obama announced this year that the federal government would award contracts to firms with more generous pay and benefit packages. With its support of private- and public-sector unions -- recall its treatment of the automakers' unions in the 2009 bailout -- the administration generally wants wages or compensation to be high.

Roosevelt's flamboyant pursuit of a similar goal cost the economy dearly. The National Industrial Recovery Act and, later, the Wagner Act gave workers the power to demand higher wages. They got them. But employers struck back, choosing not to hire or rehiring many fewer workers than they otherwise might have. In the later 1930s, the divide deepened between those with jobs and the unemployed. Economists Harold Cole and Lee Ohanian wrote in the Journal of Political Economy that the politically driven wage increases were the most important factor in the double-digit unemployment of the later 1930s [1]. A popular Gershwin song of the period, "Nice Work If You Can Get It," captured the bitterness.

What about the third factor, the entrepreneurial environment? The Obama administration places a premium on action. When it comes to spending, the idea seems to be that any spending is better than none. Big new laws -- financial reform -- are put forward to inspire confidence.

But change that is too arbitrary and too frequent petrifies firms, especially before their rules have been tested in the courts. As Verizon Communications chief executive Ivan Seidenberg noted recently in a Business Roundtable speech: "By reaching into virtually every sector of economic life, government is injecting uncertainty into the marketplace and making it harder to raise capital and create new businesses." [2]

This analysis echoes those of Depression-era entrepreneurs. In 1938 Lammot du Pont, head of the eponymous chemical concern, spoke of a "fog of uncertainty" slowing business and noted in the company's annual report that arbitrary government always slowed business down: "by land and sea the universal practice under conditions of fog is to slacken speed."

What about the old spend-or-save debate? The evidence suggests that easier money did indeed help end this second slump. But a larger factor was Roosevelt's decision to stop attacking business and turn to foreign policy. When Republicans made gains in the 1938 midterms, it became clear that the New Deal era of mega-intervention was ending.

It is that backtracking of the later '30s that is relevant to recovery today.

Amity Shlaes is a senior fellow in economic history at the Council on Foreign Relations and author of "The Forgotten Man: A New History of the Great Depression."


[1] http://newsroom.ucla.edu/portal/ucla/FDR-s-Policies-Prolonged-Depression-5409.aspx

[2]http://www22.verizon.com/content/executivecenter/ivan_seidenberg/economic_club_of_washington/

'Friday Night Lights' finally gets a little Emmy love

By Jake Coyle, AP Entertainment Writer
http://www.usatoday.com/
Ju;y 10, 2010


NEW YORK — It might be late in the fourth quarter, but Friday Night Lights finally got some Emmy love.

The acclaimed drama was nominated for four Emmys on Thursday, including lead actor and actress in a drama for Kyle Chandler and Connie Britton, who play the patriarch and matriarch of Dillon, Texas, the small town, football-mad world of Friday Night Lights.

The show was also nominated for best writing in a drama series (by Rolin Jones) and best casting. Though many critics have called it the best show on TV for years, it had previously only been nominated for casting (winning in 2007) and directing.

Jon Hamm, also nominated for lead actor for his work in Mad Men, spoke for many when he said Thursday of the show, "I can't believe it's taken this long."

"For a long time, it almost felt like, is there a reason that they're not nominating this show? Is it not on the ballot? Are they using secret ink? Come on, this show is good," he said.

"It was just one of those things. It wasn't pushed, it wasn't represented well by its studio or network or whatever. It was kind of bounced around on the schedule, but people kept seeking it out."

At times, it took some work. Friday Night Lights has never received strong ratings, and its last two seasons have aired first on DirecTV, then on NBC. In recent seasons, it has rotated its young cast and introduced new characters to keep things running on a tight budget.

In the process, it has continued to realistically portray a town in full, maintaining a humanistic view of its characters, all making their way in ordinary lives.

Jason Katims, head writer and executive producer, said the nominations are "a wonderful and somewhat shocking surprise."

"Kyle and Connie are the heart of the show. Not one, but both being recognized, to me, recognizes the show," he said. "In a way, having to wait for these nominations has honestly made it a little sweeter."

The cast and crew are currently in Austin, Texas, finishing up the last few weeks of shooting season five, which will be the last season for Friday Night Lights.

Britton said she was "truly surprised" by the nomination.

"I've been feeling increasingly melancholy as I feel the days wearing away," she said. "This feels like, 'Oh, it will be so nice to have that because we're not going to be able to work on this show that we've loved so much.'"

Chandler immediately called Britton Thursday morning to celebrate.

"Not to use just a silly metaphor, but that's what's this show's been about," he said. "I've said it for the last five seasons, it's all about teamwork."

Of course, not everyone was content with the Emmy results for FNL. A quixotic Facebook campaign had urged that Zach Gilford (who plays the quarterback-turned-artist Matt Saracen) be nominated. Nearly 10,000 had joined in the effort.

Copyright 2010 The Associated Press.