Thursday, January 21, 2016

Juanita Broaddrick Still Haunts Hillary Clinton


By Ian Tuttle — January 20, 2016




Bill Clinton on a visit to Juanita Broaddrick’s (right) nursing home in 1978 in Van Buren, Arkansas. (Getty)


On January 6, a ghost from Hillary Clinton’s past stirred:

“I was 35 years old when Bill Clinton, Ark. Attorney General raped me and Hillary tried to silence me,” Juanita Broaddrick tweeted from her home in Van Buren, Ark. “I am now 73. . . . it never goes away.”
For Hillary Clinton, who a month earlier had tweeted, “Every survivor of sexual assault deserves to be heard, believed, and supported,” and who has made her record on “women’s issues” (as her website phrases it) central to her campaign, Broaddrick’s tweet is the stuff of nightmare. Faulkner might have been writing directly to the Clintons when he warned: “The past is never dead. It’s not even past.”

In the catalogue of accusations against Bill Clinton — a litany that includes names such as Paula Jones and Kathleen Willey — Broaddrick’s stands out. It remains not only the most credible accusation against Clinton and the most serious. It is also the one about which the Clintons have said the least. The entire record of the Clintons’ response to Broaddrick’s allegations amounts to one line, from President Clinton’s lawyer David Kendall in 1999: “Any allegation that the president assaulted Juanita Broaddrick more than 20 years ago is absolutely false.”

In a now-famous interview with Dateline NBC’s Lisa Myers, which aired on February 24, 1999, Broaddrick laid out her accusation in full for the first time. Broaddrick first met Bill Clinton in April 1978, when he visited her nursing home, Brownwood Manor, during a stop on his gubernatorial campaign. She says Clinton invited her to visit him at the campaign’s headquarters should she ever make it to Little Rock, two-and-a-half hours southeast.

Shortly after, when she visited the state capital in late April for a nursing-home conference, she called him. According to Broaddrick, Clinton suggested that they meet in the coffee shop of her hotel — the Camelot, now the Doubletree. When he arrived, though, he said there were too many reporters and asked if they could go up to her room. Broaddrick told Myers that the request made her “a little bit uneasy,” but that she didn’t think she was in any danger. “I thought it was professional, completely.”

Inside, and at the room’s window, which Broaddrick recalled look down on the Arkansas River, Clinton pointed to a small building, a prison, and said he hoped to renovate it when he became governor. “Then all of a sudden, he turned me around and started kissing me.” As she recounted to NBC:
I first pushed him away and just told him “No, please don’t do that,” and I forget, it’s been 21 years, Lisa, and I forget exactly what he was saying. It seems like he was making statements that would relate to “Did you not know why I was coming up here?” and I told him at the time, I said, “I’m married, and I have other things going on in my life, and this is something that I’m not interested in. . . .  
Then he tries to kiss me again. And the second time he tries to kiss me he starts biting my lip [she cries]. Just a minute . . . He starts to, um, bite on my top lip and I tried to pull away from him. [crying] And then he forces me down on the bed. And I just was very frightened, and I tried to get away from him and I told him “No,” that I didn’t want this to happen [crying] but he wouldn’t listen to me.
After the assault, “He walks to the door, and calmly puts on his sunglasses,” Broaddrick said. “And before he goes out the door he says, ‘You better get some ice on that.’” And then he left.

Seven years before Broaddrick’s accusation, a different woman — Anita Hill — had leveled an accusation of sexual harassment at another public figure: then–D.C. circuit judge and Supreme Court nominee Clarence Thomas. Hill, who had worked under Thomas when he was at the Department of Education and later at the Equal Employment Opportunity Commission, alleged that Thomas had “pressed” her to go out with him socially, and later “talked about pornographic materials” and “his own sexual prowess” in the office, making Hill “extremely uncomfortable.”

Compared with Broaddrick’s, that accusation was mild. In her initial Senate testimony, Hill only went so far as to call it “offensive behavior.” But Hill found a stalwart backer in one Hillary Clinton, then the wife of the “boy governor” of Arkansas, who one week before the allegation broke had announced his campaign for the presidency.

Hill’s accusation was entirely unsupported. The only person to publicly back Hill’s claim, Angela Wright, was rejected as unreliable by the Senate Judiciary Committee before she could testify, and Hill’s own testimony altered during a grilling by then–Pennsylvania senator Arlen Specter, who said afterward that he believed Hill had committed “flat-out perjury.” Senator Alan Simpson, a Wyoming Republican, noted that after the period of alleged harassment, Hill made personal visits to Thomas, breakfasted with him, dined with him (twice), rode alone in a car with him, and initiated eleven calls to him between 1984 and 1987.

Yet at the annual meeting of the American Bar Association in August 1992, the future first lady hailed Hill as someone who had “transformed consciousness and changed history with her courageous testimony.” “All women who care about equality of opportunity, about integrity and morality in the workplace are in Professor Anita Hill’s debt,” she added. That was ten months after Thomas had declared the confirmation proceedings a “high-tech lynching” and the Senate had confirmed him to the bench.

By contrast, Juanita Broaddrick’s claim was supported by not one but five witnesses and a host of circumstantial (though no physical) evidence. Broaddrick’s colleague Norma Rogers, who was attending the conference in Little Rock with her, says she found Broaddrick in her hotel room crying and “in a state of shock” on the morning of the alleged assault, her pantyhose torn and her lip swollen. According to Rogers, Broaddrick told her that Bill Clinton had “forced himself on her.”

At the time, Broaddrick (then Juanita Hickey) was having an affair with David Broaddrick, who would become her second husband. David Broaddrick told Dateline NBC that he remembers Juanita’s arriving home with a swollen lip and telling him that she had been assaulted by Bill Clinton.

And three other friends — Susan Lewis, Louis Ma, and Norma Rogers’s sister Jean Darden — all maintain that Broaddrick told them about the rape, too. (Rogers and Darden stand by their stories but have pointed out that they have an apparent conflict of interest: As governor, Clinton commuted the life sentence of the man who murdered their father.)

Two small details lend particular credence to Broaddrick’s story.

First, the lip. In 1998, after previously denying any such rumors, actress Elizabeth Gracen admitted to having a one-night stand with Bill Clinton in 1982. She claimed that, during rough sexual intercourse, Clinton bit her lip.

Second, in an account of the assault given to the Wall Street Journal and published shortly before her NBC interview, Broaddrick made the peculiar claim that Clinton told her she need not worry about becoming pregnant. He was sterile, he said, from a childhood case of mumps. Gennifer Flowers, who in 1992 claimed to have had a twelve-year sexual relationship with Clinton in the 1970s and 1980s, and Dolly Kyle Browning, who claims a three-decade affair with Bill, both told The Weekly Standard that Clinton told them he had a fertility problem. And in his book Blood Sport, James Stewart reported that Bill and Hillary “contemplated a visit to a doctor at the University of California” in the late 1970s, because they were worried that they could not conceive.

All of this evidence — far more than was ever present in the Anita Hill case — was available in 1999. But Hillary Clinton kept silent. And she may have intimidated Broaddrick into silence.
Months after her NBC interview, Broaddrick told the Drudge Report that the wife of the gubernatorial candidate made a point of meeting her at a Clinton campaign event just two weeks after the alleged assault.
She came directly to me as soon as she hit the door. I had been there only a few minutes, I only wanted to make an appearance and leave. She caught me and took my hand and said: “I am so happy to meet you. I want you to know that we appreciate everything you do for Bill.” I started to turn away and she held onto my hand and reiterated her phrase — looking less friendly and repeated her statement — “Everything you do for Bill.” I said nothing. She wasn’t letting me get away until she made her point. She talked low, the smile faded on the second thank you. I just released her hand from mine and left the gathering.
Broaddrick had related the episode to NBC, but it had been nixed in the cutting room. In 2003, in an interview with Fox News’s Sean Hannity, Broaddrick repeated the story, adding: “I could have passed out at that moment. . . . Cold chills went up my spine. That’s the first time I became afraid of that woman.”

Years after that encounter, in 1984, Broaddrick — who in the meantime had accepted a position to a state board (before she knew it was a gubernatorial appointment, she says) — received a letter from Clinton recognizing her nursing home for its work. At the bottom, the governor had handwritten: “I admire you very much.” Broaddrick interpreted that as a thank-you for her silence.

The consistency of Broaddrick’s account over the years, and the correspondence of her account with that of the multiple witnesses, has been difficult for critics to explain away. Additionally, there is documentation of Broaddrick’s presence at the Camelot Hotel in April 1978 — for a nursing-home conference, as she claims. Moreover, she took no money to make her accusation, unlike Flowers, who netted $500,000 from broadcasting her allegations in Penthouse and other publications. Many have retreated to arguing that Clinton probably did have sex with Broaddrick, but it was consensual. Broaddrick, for her part, has never retreated from her claim.

Clinton’s stauncher defenders seize on two apparent inconsistencies: Broaddrick’s reluctance to come forward about the assault (she waited more than 20 years) and an affidavit she signed in 1998 declaring: “I do not have any information to offer regarding a nonconsensual or unwelcome sexual advance by Mr. Clinton.” The first is no discrepancy at all. The unwillingness of rape victims to admit their assault is a well-known phenomenon — and one that Hillary Clinton and others acknowledged when they readily supported Anita Hill, whose accusations, when they were first aired, were ten years old.

The question of the affidavit is more interesting. In November 1997, Rick and Beverly Lambert, private investigators hired by Paula Jones’s legal team, secretly recorded a conversation they had with Juanita Broaddrick on her doorstep in Van Buren. Broaddrick was not amenable to being interviewed, but the reasons she offered were noteworthy: “Oh, bad things, I can’t even begin to tell you,” she says at one point. “It’s not pleasant and I won’t even go into it. . . . It’s very private. We’re talking about something 20 years ago. . . . It’s just that was a long time ago and I don’t want to relive it.” When the Lamberts suggest that the accusations of sexual misconduct might harm Clinton, Broaddrick says: “Well, there’s just absolutely no way that anyone can get to him, he’s just too vicious.”

That is the same language Broaddrick would use two years later during her NBC interview when, describing the moment of the rape, she said, “He [Bill] was such a different person at that moment. He was just a vicious, awful person.” And in explaining to Lisa Myers why she had not reported her assault to authorities, Broaddrick said: “I didn’t think anyone would believe me in the world. . . . I was also afraid what would happen to me if I came forward. I was afraid that I would be destroyed like so many of the other women have been.” The consistencies between this recording and Broaddrick’s later interview are particularly noteworthy given that Broaddrick did not know she was being recorded.

And it may not have been the first time Broaddrick was secretly recorded. In 1992, Phillip Yoakum, an Arkansas businessman, learned of Broaddrick’s assault from one of her colleagues. Yoakum penned a letter, encouraging Broaddrick to go public with her charge. The letter was widely circulated among Republicans, who hoped to use it to puncture Bill Clinton’s 1992 presidential hopes. In October, the New York Times and the Los Angeles Times got wind of a story “that a nursing-home executive had been sexually assaulted in 1978 by Bill Clinton,” as the New York Times later wrote. But both papers passed, dismissing it as a hoax.

Yoakum claimed to have secretly recorded a conversation with Broaddrick in which she outlined her allegation. He never revealed any such recording, but in her conversation with the Lamberts, Broaddrick mentions in passing: “I thought maybe ya’ll had gotten the recording and that’s the reason you came.” In other words, she worried that they had learned about the allegations she made in that conversation, which, as noted above, she makes clear she does not want to discuss.

Skeptics cite Broaddrick’s 1998 affidavit as a decisive inconsistency. (Clinton adviser Sidney Blumenthal points to it in his memoir The Clinton Wars.) But, in fact, it appears to be little more than an explicable anomaly. In 1978, in 1992, in 1997, and in 1999, in public and in private, Broaddrick’s story is generally consistent. By contrast, Anita Hill’s testimony broke down in a matter of hours.

Unlike Anita Hill, Broaddrick was never lauded by Hillary Clinton for “transforming consciousness” or offering “courageous testimony.”

Instead, she was audited. In the summer of 2000, Bill’s last year in the White House, the nursing home Broaddrick had operated for a quarter-century was selected for additional scrutiny by the IRS — to Broaddrick’s bewilderment: “Our business has not changed in any way — no change in ownership, no change in anything,” Broaddrick told The Weekly Standard. “I can’t imagine what would draw someone’s attention to my business.” Coincidentally, both Paula Jones and Elizabeth Gracen also scored IRS audits during the Clinton years.

It has now been 17 years since Juanita Broaddrick went public with her accusation, and 38 years since the alleged assault. She has largely receded from the public eye that she never wanted to attract in the first place.

But the Clintons have not. Hillary Clinton, despite an investigation by the FBI, remains the presumptive presidential nominee of the Democratic party, and it is not at all unlikely that Bill Clinton might find himself back in the White House, albeit in a different role.

Broaddrick hates the thought of it. Seeing the Clintons on front pages and magazine covers again: “It’s so difficult,” she tells me from her home in Van Buren. And of the former secretary of state’s tweet about believing survivors of assault, she exclaims: “Shame on you, Hillary! Shame on you! How could you tweet out something like that when you know we’re all still here, and we’ve tried to come forward?”

Broaddrick confesses that she no longer recalls every detail. “Well! I haven’t thought about him in years!” she says when I ask about Phillip Yoakum. She doesn’t remember if they ever talked or about a secret recording in the early 1990s.

But her story has not changed. When I ask about the affidavit, she says just what she told Lisa Myers in 1999: “I wanted to stay in the background. I didn’t want the publicity regarding it. I just did not want to come forward.”

And Hillary? When Bill’s wife shook her hand in 1978, was she trying to send a message? “There was no doubt in my mind. It not only shocked me, it made me very frightened. The smile dropped, and the intonation of her voice, it was very cold. She knew what he had done to me, and she was saying, ‘Thank you very much for keeping quiet.’”

I ask Broaddrick what happens now — now that she and her story are back in the news. “I honestly do not know where things go from here,” she says. “I can tell you I’m not political. I have no political interest whatsoever. My only interest is in making sure the Clintons don’t get back into the White House. I know nothing about politics. All I know is what happened in that room in 1978, and what happened two weeks later, when she threatened me.”

“I sat for about an hour with my Twitter account,” she adds. “I sat there for the longest time and thought, ‘Don’t do this.’ But I did it. And I’m glad I did.”

— Ian Tuttle is a National Review Institute Buckley Fellow in Political Journalism.






'Spotlight': the reporters who uncovered Boston's Catholic child abuse scandal


A Boston Globe investigation into widespread child abuse by Catholic clergy has been turned into a new film starring Mark Ruffalo and Rachel McAdams. The Pulitzer-winning team talk small-town secrets, collective guilt – and whether anything has really changed within the church
13 January 2016
On the homepage of the Boston Roman Catholic archdiocese website, next to information on preparing for marriage, is a box labelled “Support, Protection and Prevention”. You have to scroll to see the first reference to children and click a link to find any mention of abuse.
In 2002, the Boston Globe’s Spotlight team, a group of five investigative journalists, uncovered the widespread sexual abuse of children by scores of the district’s clergy. They also revealed a cover-up: that priests accused of misconduct were being systematically removed and allowed to work in other parishes.
The team’s investigation brought the issue to national prominence in the US, winning them the Pulitzer prize for public service. The journalists’ story, and those who suffered at the hands of the clergy, are the subject of Spotlight, a Hollywood movie starring Michael Keaton, Mark Ruffalo and Rachel McAdams. It is a love letter to investigative journalism and a reminder that, 13 years and some$3bn in settlement payments later, survivors in Boston and beyond are still waiting for satisfactory long-term action from the Vatican.
“The Catholic church often talks about this as pain that’s in the past,” says Spotlight’s co-screenwriter, Josh Singer. “I think the survivors would tell you they’re less interested in the church trying to make amends and more interested in the church protecting children in the future.”
Singer, who was a writer and editor on The West Wing, calls the Spotlight journalists of 2002 a “championship team”. Their player-manager was Boston native Walter “Robby” Robinson. His high school, which was across the road from the Boston Globe’s offices, employed three priests who were later suspended for misconduct. In the film, Robinson, played by Michael Keaton, represents the Globe’s old guard. He’s navigating a community that’s very Catholic and very close-knit, working on a contentious story for a paper that he says at the time was “too deferential to the church”.
“Every major city in the US has two things in common,” Robinson tells me. “They have an archdiocese and they have a major newspaper. I don’t know of a single city where, in hindsight, clues that this was going on didn’t surface way back when. If we’d been more open to the notion that such an iconic institution might have committed such heinous crimes I think people would have got on to this sooner.”
It was this implicit deference by the police, attorneys and, to some degree, the press that interested Singer in the story. In a key scene, a lawyer who represents the victims says: “It takes a village to raise a child. It takes a village to abuse one.”
“That collective looking away was always interesting,” Singer says. “How had the community fostered this? That seemed to have bigger power and resonance, because that is similar to what’s still going on with Penn State or Jimmy Savile at the BBC”.


“Sometimes we need to question a little more when we are part of an insider group,” he says. “To listen to the outsiders.”
Phil Saviano was battling to get his story heard long before the Spotlight team’s stories were published. Saviano, a survivor who was abused by his parish priest from the age of 12, had sent the Globe information on the Boston clergy that reporters originally missed. In the film, Saviano (played by actor Neal Huff) tells the Spotlight team that, for a kid from a poor family in Boston, being groomed by his priest was like being singled out by the Almighty: “How do you say no to God?”
Saviano, now in his 60s, was one of the victims who refused a settlement from the church and retained, unlike others, his right to speak freely about his experience. He’s the founding member of the New England chapter of theSurvivors Network of Those Abused by Priests. After the Spotlight investigation, Snap’s membership swelled to more than 22,000 as victims came forward, according to its executive director, David Clohessy.
“Before Spotlight’s work, Snap members were usually ignored,” he says. “They were unsuccessfully trying to warn parishioners, parents, police, prosecutors and the public about this massive, ongoing danger to kids. After Spotlight’s work, people started to pay attention.”


Michael Rezendes, played by Mark Ruffalo in the film, is the only journalist involved in the investigation still working on the Spotlight team. Rezendes describes the experience of having his story turned into a movie as “strange and intrusive”, but he’s a big fan of the finished product.
“We call Boston the biggest small town in America,” says Rezendes. “Everybody seems to know everyone. The film-makers probed that pretty deeply, and were able to make a statement about the collective ability to speak out when you see wrongdoing.”
“I had huge reservations about letting Hollywood fictionalise our lives,” says Sacha Pfeiffer, another member of the Spotlight team, who is played by Rachel McAdams. “We talk on the phone, we do data entry, we look at court records. Good luck making that interesting!”


But there was no need to sensationalise the story, says the screenwriter – the procedure and the scale of the scandal were compelling enough. Still, the film is more All the President’s Men than Broadcast News (“Watergate was a local story, so was this,” says Singer). There is no bitching, little jostling, only the occasional glimpse of ego. Working at the dawn of online news, the team spend hours rifling through giant church directories, begging to use the state legislator’s photocopier. Just as they are ready to print, their editor (Marty Baron, portrayed by Liev Schreiber) tells them to stop and take stock.
The Spotlight team had identified 12 priests who they knew had been implicated in child sex abuse. They wanted to get the names out there, but Baron told them to hold their fire and aim for the bigger target: the Catholic church itself. “Would an editor have that sort of restraint now?” asks Singer. “As opposed to just throwing what you have up on the web? If you’d just run those names it would have been a he-said-she-said with every single one. Instead of talking about the bigger story, which is the system.”
“The internet has forced us to think in short bursts,” says Robinson. “We seldom have time to get a really strong grasp on what the full story is. Everybody’s trying to get morsels out there, instead of the full meal.”
The Spotlight story got told because Baron, newly arrived from the Miami Herald, told the locals how to see their city. The Globe’s new editor was an outsider who questioned a norm: that the church was untouchable. That confidence – to follow a difficult story through against the prevailing wisdom – is a rare quality, says Robinson. And the investigative reporting that followed was expensive. “Editors tend to cut it first,” says Robinson, “But ask a daily newsreader what is most important to them and they’ll say investigative reporting.”
Spotlight has been well received by survivors (“It’s re-energised many who have been discouraged by the intractability of the church”, says David Clohessy), and the church itself has been broadly supportive. When asked if the archdiocese of Boston endorses the film, Terrence Donilon, communications officer to the city’s archbishop, Cardinal Seán O’Malley, said the archdiocese “would not discourage people from seeing the film”, but viewing it “should be an individual choice”.
Since the Spotlight investigation, the Vatican has moved to establish a tribunal to hear cases of bishops accused of perpetrating or covering up child abuse. Critics say its remit is foggy and its powers unclear. Pope Francis’s visit to Boston last September was marred by his comments the week earlier that US bishops had shown “courage” in facing the scandal. Survivors responded with anger and incredulity. Generally, it is thought that the church still has a lot to learn about transparency.
“It’s been 13 years since we published our stories,” says Michael Rezendes. “So far, for survivors, there’s been a tribunal that hasn’t taken any concrete action. Over the last 10 years the Vatican has defrocked something like 850 priests and sanctioned maybe 2,500 more. But in terms of policy, there has been very little systemic change.”

Springsteen dives into deep end of 'The River' at United Center

By 
Greg Kot
January 19, 2016
Bruce Springsteen and the E Street Band
On Tuesday at the United Center, Bruce Springsteen and the E Street Band arrived at the song that served as the theme of the evening and things got downright eerie.
As “The River” wound its way down from youthful promise into adult responsibility that becomes a weight too difficult for two people to bear, Springsteen’s voice turned into a wordless wail. It was high-pitched and lonesome, like the shiver of a musical saw, and faded into a harmonica solo that sounded like a cry.
Things got bleaker still. “Point Blank” followed, another unraveling relationship, the bloom wearing off into the weariness of losing a job, paying the rent, waiting on welfare checks. It was swathed in Spaghetti Western guitars, the sound that always accompanies the movie scene where somebody dies in the dust.
It was that kind of night. Springsteen’s 1980 album “The River” was on the agenda, and it can bury an unsuspecting listener in darkness. On the occasion of a box set looking back on its release 35 years ago, Springsteen is performing the double-album front to back in a three-hour-plus show. Two-thirds of it was consumed by the 20 songs on “The River.”


With “The Ties that Bind,” Springsteen marked the album’s themes at the outset: commitment to another person, commitment to a shared life, and the responsibilities and burdens that can unravel those promises. “Is a dream a lie that don’t come true, or is it something worse?” Springsteen sang on the album’s title track.
At the time the album was originally released, Springsteen has said he was wrestling with exactly those same questions in his personal life. Now performing the same material at age 66, the songs still resonate. At the core of “The River” remains the notion, as the singer said, of “how we have finite time … to do something good.”
Springsteen’s characters haven’t got it figured out. In the back-to-back “Fade Away” and “Stolen Car,” the narrator desperately tries to hang on to a tattered relationship until it slips away completely. By the end, he’s invisible. So much of his life has been folded into his partner’s that once again on his own, he has no identity left at all. In “Independence Day,” a father and son try to hash out their differences at the kitchen table in the middle of the night. By dawn, the kid is gone.
Even the seemingly lighthearted “Hungry Heart,” a sing-along moment and Springsteen’s first Top-10 hit, was double-edged. Springsteen crowd-surfed while the fans celebrated, even as he told the tale of a guy who couldn’t deal with a wife, a family, a job, so he simply ran.
The singer’s original vision for the album turned on such uncomfortable scenes, and at the 11th hour he decided to expand it to include some songs that could provide a respite, a glimpse of a way out. These blow-off-stream rockers – from “Crush on You” to “Ramrod” – kept the album’s heaviest songs from becoming oppressive, and they served a valuable purpose Tuesday.
The E Street Band covered the album’s dynamic range. There was the doo-wop intro to “I Wanna Marry You” with sidekick Steve Van Zandt, who was Springsteen’s trusted foil all night. “Cadillac Ranch” burned fossil fuels with impunity until it drove right off a cliff, belching smoke. “You Can Look (But You Better Not Touch)” brought Eddie Cochran swagger and “Sherry Darling” a touch of the Coasters’ humor. “I’m a Rocker” with its roller-rink organ riff suggested an outtake from the ‘60s garage-rock collection “Nuggets,” and “The Price You Pay” evoked the ringing 12-string guitars of the Byrds. The slow-burn soul of “Drive All Night” crashed into the Hank Williams-like plaintiveness of “Wreck on the Highway.”
Springsteen hewed strictly to the sequencing of the original album, though for the purposes of an arena concert the pacing might have been better served if he went into shuffle mode. But Springsteen was keen to revisit the album’s themes, and they have not faded with age. If anything, the issues that obsessed the singer – faith, family, fidelity – loom larger than ever.
It was only fitting that he devoted the final third of the show to anthems and party songs – and a brief pause to pay tribute to the Eagles’ Glenn Frey, who died Monday, with an acoustic “Take it Easy.” It’s a song that in the Eagles’ version felt light on its feet, as told from the perspective of a rogue wondering if “your love is gonna save me.”
Frey once sang it with a wink, but Springsteen played it straight, almost solemnly, flavored with a fiddle solo by Soozie Tyrell. He sounded like a guy who had just played a bunch of songs that turned Frey’s flirtatious lyric into a series of unanswerable questions.
greg@gregkot.com
Springsteen set list Tuesday at United Center:
1. Meet Me in the City
2. The Ties That Bind
3. Sherry Darling
4. Jackson Cage
5. Two Hearts
6. Independence Day
7. Hungry Heart
8. Out in the Street
9. Crush on You
10. You Can Look (But You Better Not Touch)
11. Here She Comes/I Wanna Marry You
12. The River
13. Point Blank
14. Cadillac Ranch
15. I'm a Rocker
16. Fade Away
17. Stolen Car
18. Ramrod
19. The Price You Pay
20. Drive All Night
21. Wreck on the Highway
22. Night
23. No Surrender
24. Cover Me
25. She’s the One
26. Human Touch
27. The Rising
28. Thunder Road
29. Take it Easy (Eagles/Jackson Browne cover)
30. Born to Run
31. Dancing in the Dark
32. Rosalita (Come Out Tonight)
33. Shout (Isley Brothers cover)
Copyright © 2016, Chicago Tribune

Terrific: Gun ATF Illegally Trafficked Through Operation Fast and Furious Found in El Chapo's Lair


Katie Pavlich | Jan 20, 2016

Joaquin "El Chapo" Guzman is escorted by soldiers during a presentation at the hangar belonging to the office of the Attorney General in Mexico City, Mexico, January 8, 2016.(Reuters)

It turns out at least one firearm trafficked into Mexico (and lost) through the Obama Justice Department's Operation Fast and Furious made its way into the upper echelons of the Sinaloa Cartel. 
According to a report by Fox News' William La Jeunesse a .50-caliber rifle connected to the program was found inside the lair of notorious drug kingpin El Chapo Guzman. Bolding is mine: 
After the raid on Jan. 8 in the city of Los Mochis that killed five of his men and wounded one Mexican marine, officials found a number of weapons inside the house where Guzman was staying, including the rifle, officials said.

When agents from the Bureau of Alcohol, Tobacco, Firearms and Explosives checked serial numbers of the eight weapons found in his possession, they found one of the two .50-caliber weapons traced back to the ATF program, sources said.

Out of the roughly 2,000 weapons sold through Fast and Furious, 34 were .50-caliber rifles that can take down a helicopter, according to officials.

Federal law enforcement sources told Fox News that ‘El Chapo’ would put his guardsmen on hilltops to be on guard for Mexican police helicopters that would fly through valleys conducting raids. The sole purpose of the guardsmen would be to shoot down those helicopters, sources said.
Based on the intention of the firearm to be used to take down a helicopter, it should be noted another .50-caliber rifle trafficked through Fast and Furious was in fact used to take down a Mexican helicopter in 2011. 
CBS News has learned that the recent case of a Mexican military helicopter forced to land after it was fired upon is linked to the ATF Fast and Furious "gunwalker" operation.

Drug cartel suspects on the ground shot at Mexican government helicopters two weeks ago in western Mexico, forcing one chopper to land. Authorities seized more than 70 assault rifles and other weapons from the suspects.

Among the seized weapons are guns sold to suspects as part of the ATF sting operation, sources say. That information came from traces of serial numbers.

"Shooting at an aircraft is a terrorist act," says one U.S. law enforcement source. "What does that say if we're helping Mexican drug cartels engage in acts of terror? That's appalling if we could have stopped those guns."
This news comes just under two weeks since El Chapo was captured by the Mexican military after escaping from prison twice. Further, this news comes hours after a federal judge struck down President Obama's assertion of executive privilege over Fast and Furious documents back in 2012.
 Officials are working on the extradition of El Chapo to the U.S.